一个戴着螺旋锁的女人的面具 - 美国大都会艺术博物馆展品查阅

品名（中）	一个戴着螺旋锁的女人的面具
品名（英）	Mask of a woman with corkscrew locks and bang
入馆年号	1900年，00.2.16
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元 50 - 公元 150
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	h. 17.5 厘米 (6 7/8 in); w. 9.3 厘米 (3 11/16 in)
介绍（中）	石膏木乃伊面具源自法老传统，在法老传统中，面具是死者头部的替代品，也是提升死者不朽地位的一种手段。这种推导经常反映在头部周围地幔上的绘画和文本中就像绘制的木乃伊肖像一样，面具暗示着强烈的个性化外观，并影响着罗马的发型、珠宝和服装时尚。然而，它们遵循的模式有些不同。例如，女性面具的发型可能将罗马式的上半部分头发与通常被认为是埃及式的长螺旋状头发结合在一起尽管面具看起来很有个性，但大多数人脸都是用模具制作的。用抹刀或刀子在灰泥上雕刻出明显的细节。耳朵是单独添加的，有时眼睛会镶嵌玻璃或石头。然后面具经常被涂上油漆或镀金这位女士的波浪发型以罗马宫廷时尚为基础，但耳朵后面的三个螺旋状卷发和前额和耳朵前面的一条短刘海似乎反映了当地风格。在她的后脑勺，耳朵上方，有一个曾经代表枕头的光滑区域的痕迹。一般来说，像这样的早期罗马时期的面具显示死者躺在棺材上，头枕在枕头上，而后来的面具则抬起头，好像死者正在从棺材里爬起来。此示例的下边缘是平的，用于连接到由木材或其他材料制成的车身覆盖物上。
介绍（英）	The plaster mummy masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head. Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian. Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then frequently painted or gilded. This woman's waved hairstyle is based on Roman court fashion, but three hanging corkscrew curls behind the ears and a short fringe of curls over the forehead and in front of the ears seem to reflect a local style. Toward the back of her head, above her ears, are traces of a smooth area that once represented a pillow. In general earlier Roman-period masks such as this one show the deceased as if reclining on a bier with the head on a pillow, while later masks have the head raised as if the deceased is rising from the bier. The underneath edge of this example is flat where it is meant to be attached to a body covering of wood or other materials.