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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)Wereshnefer肉瘤
品名(英)Sarcophagus of Wereshnefer
入馆年号1914年,14.7.1a, b
策展部门埃及艺术Egyptian Art
创作者
创作年份公元前 380 - 公元前 300
创作地区来自于: 埃及(From: Egypt)
分类
尺寸Box: 长 292 × 宽 at foot end 155 厘米 (9 ft. 6 15/16 英寸 × 61 英寸); Lid: 长 292 × 宽 at foot end 155 × 高 at foot end 81 厘米 (9 ft. 6 15/16 英寸 × 61 英寸 × 31 7/8 英寸); Total 高: 211 厘米 (83 1/16 英寸)
介绍(中)韦雷什尼弗是穆特女神、奈弗提斯女神、塞克米特女神、奈思女神和萨提斯女神的牧师。尽管他的办公室位于上埃及从阿斯旺到科普托斯的寺庙中,但他的坟墓位于埃及北部的塞加拉墓地,这座异常巨大的石棺就是从这里来的。石棺及其盖子上的场景和文字属于一千多年前为皇室创作的随葬文献。石棺的内部和外部都刻有太阳在夜间穿过阴间的描述。它的盖子上装饰着与太阳重生和穿越白天天空有关的场景和文字。石棺和它的盖子共同构成了一个强有力的隐喻,象征着Wereshnefer希望在与太阳的陪伴下实现的从死亡到生命的旅程

这个石棺的身体代表着幽冥世界。它的场景来自《Amduat》一书,描述了太阳神在夜间十二小时的航行。中间的寄存器显示神在他的夜船上的神龛里;上面和下面是居住在阴间的各种生物。第一个小时在石棺的外部头部(圆形末端),其他时间按顺序向右经过第7个小时。9至12小时在室内;省略了第8小时

从韦雷什尼弗的石棺对世界的描述

这是已知的最早将世界描述为圆形的作品之一。它是由天空女神努特的身体框起来的,她由舒伸出的手臂支撑着,气氛。在她的脚下是大地,用两条腿举起的手臂代表,这是对大地神格布名字的重新命名。世界在这个框架的中心显示为三个同心圆。最外面的圆圈左右两侧是代表东方(努特的腿)和西方的女神;他们面前站着与埃及东西交界的沙漠中的神和人民。顶部(南部)是尼罗河和被认为是其源头的洞穴的象征性描绘。底部(北部)的椭圆代表地中海的岛屿和海岸。第二枚戒指代表埃及本身。它包含了埃及四十二个国家的徽章,从南(上)到北、从东到西排列,反映了该国的实际地理划分。最里面的圆圈显示了夜晚和白天的天空(前者有恒星),意味着可以在与外圈成90度的角度观看

Wereshnefer的石棺盖

这个石棺盖代表白天的天空。在它的脚下,载着太阳穿过黑夜的小船与白天的小船相遇;他们中间升起了新生的太阳

头上的场景(圆形末端)显示了天舟漂浮在天空的水面上,太阳被神舒(大气)升起。两侧是四对雄性(蛙头)和雌性(蛇头)神,代表着原始水域的四种品质;惰性的、无限的、消极的和不可接近的

两侧刻有Re的Litany,献给太阳神的七十四种形式。左边的Wereshnefer,在头端,崇拜这些形式的前三十七个加上上上埃及祖先的国王。在右边,Wereshnefer面对最后三十七个形态,以及下埃及的祖先国王

盖子的顶部有两个场景。脚部末端和中心描绘了太阳光线使躺在幽冥深处神殿中的奥西里斯木乃伊复活的画面,正如韦雷什内费尔希望它们能使躺在石棺中的他的尸体复活一样。在头端,朝向相反的方向,女神努特(白天的天空)弯下腰来描绘世界。
介绍(英)Wereshnefer was a priest of the goddesses Mut, Nephthys, Sekhmet, Neith, and Satis. Although his offices were in temples from Aswan to Koptos in Upper Egypt, his tomb, from which this unusually large sarcophagus comes, was in the northern Egyptian necropolis of Saqqara. The scenes and texts on the sarcophagus and its lid belong to funerary literature originally composed for royalty more than a thousand years earlier. The body of the sarcophagus is inscribed inside and out with descriptions of the sun's passage through the netherworld at night. Its lid is decorated with scenes and texts relating to the sun's rebirth and journey through the day sky. Together, the sarcophagus and its lid form a powerful metaphor of the journey from death to life that Wereshnefer hoped to achieve each day in company with the sun.

The body of this sarcophagus represents the netherworld. Its scenes, from the book known as Amduat, describe the voyage of the sun god through the twelve hours of night. The middle register shows the god in a shrine on his night boat; above and below are the various beings who dwell in the netherworld. The first hour is on the exterior head (rounded end) of the sarcophagus and the others follow through hour 7, in order, to the right. Hours 9 through 12 are on the interior; hour 8 was omitted.

Depiction of the World from the Sarcophagus of Wereshnefer

This is one of the first known representations of the world as round. It is framed by the body of Nut, goddess of the sky, who is supported by the outstretched arms of Shu, the atmosphere. At her feet lies the earth, represented by the uplifted arms on two legs, a rebus for the name of the earth god Geb. The world is shown in the center of this frame as three concentric circles. The outer-most circle is bordered on the left and right by goddesses representing the east (by Nut's leg) and west; before them stand the gods and peoples of the deserts that border Egypt on the east and west. At the top (south) is a symbolic depiction of the Nile and the caverns that were believed to be its source. The ovals at the bottom (north) represent the islands and shorelands of the Mediterranean Sea. The second ring represents Egypt itself. It contains the emblems of Egypt's forty-two nomes, or states, arranged from south (top) to north and east to west, reflecting the actual geographical divisions of the country. The innermost circle shows both the night and day skies (the former with stars) and is meant to be viewed at ninety degrees to the outer rings.

Lid of the Sarcophagus of Wereshnefer

The lid of this sarcophagus represents the day sky. At its foot, the boat that carries the sun through the night meets the day boat; between them rises the newborn sun.

The scene on the head (rounded end) shows the day boat floating on the waters of the sky, with the sun elevated by the god Shu (the atmosphere). To either side are four pairs of male (frog-headed) and female (snake-headed) deities representing the four qualities of the primeval waters; inert, infinite, negative, and inaccessible.

The sides are inscribed with the Litany of Re, addressed to the seventy-four forms of the sun god. The left side shows Wereshnefer, at the head end, worshiping the first thirty-seven of these forms plus the ancestral kings of Upper Egypt. On the right side Wereshnefer faces the last thirty-seven forms plus the ancestral kings of Lower Egypt.

The top of the lid has two scenes. The foot end and center depict the sun's rays resurrecting the mummy of Osiris, lying in its shrine in the depths of the netherworld, just as Wereshnefer hoped they would revive his body lying in the sarcophagus. At the head end, oriented in the opposite direction, the goddess Nut (the day sky) bends over a depiction of the world.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。