戴着阿蒙王冠的哈波克拉特人，被命名为“哈波克拉斯大帝，阿蒙长子，阿蒙之首” - 美国大都会艺术博物馆展品查阅

品名（中）	戴着阿蒙王冠的哈波克拉特人，被命名为“哈波克拉斯大帝，阿蒙长子，阿蒙之首”
品名（英）	Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun"
入馆年号	1925年，25.184.19
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 664 - 公元前 30
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	高 28.6 厘米 (11 1/4 英寸); 宽 5.8 厘米 (2 5/16 英寸); 深 9 厘米 (3 9/16 英寸)
介绍（中）	该图代表一位坐着/斜倚的儿童神，戴着双羽毛王冠，背部有一条飘带。王冠将他与阿蒙神联系在一起，底座上的铭文也明确了这一联系。正如这里所说，儿童神通常通过一系列图像线索与成人神区分开来：他的裸体、手指举到嘴边（一种类似儿童的手势）和头部右侧的侧锁。侧锁是单独铸造的，然后用销钉机械连接到牙冠上。编织物镶有银从第三个中期开始，儿童神越来越受欢迎和崇拜，甚至可以与最强大和最古老的神相媲美，尤其是在寺庙供奉方面。由于其丰富多彩和许多地方形式，通常很难为儿童神分配准确的身份，但基座上的铭文将这一人物命名为Harpokrates。孩子荷鲁斯（或Harpokrates）最为人所知的是奥西里斯和伊西斯的儿子，但在某些情况下，比如这个和25.184.19，他也被称为阿蒙的儿子。这种多层次的联系在埃及宗教中很常见，埃及宗教没有严格的教规，到目前为止，它建立在数千年的变化和适应之上。
介绍（英）	The figure represents a child god in a seated/reclining position, wearing the double feather crown, complete with a streamer at the back. The crown associates him with the god Amun, a connection that is also made explicit in the inscription on the base. The child god, as here, is usually distinguished from adult gods by a range of iconographic clues: his nudity, the finger raised to the mouth (a child-like gesture), and a sidelock on the right side of his head. The sidelock was cast separately and was then mechanically attached to the crown with a pin. The braiding is inlaid with silver. Child gods grew in popularity and cult from the Third Intermediate Period onwards, rivaling even the most powerful and ancient gods, especially as temple offerings. Because of their profusion and many local forms, generally it is very difficult to assign precise identities to child gods, but an inscription on the base names this figure as Harpokrates. Horus the child (or Harpokrates) is best known as the son of Osiris and Isis, but in some cases, such as this one and 25.184.19, he is also referred to as the son of Amun. Such multi-layered associations are common to Egyptian religion, which had no strict canon perse and which, by this point in time, was built upon millennia of change and adaptation.