naos sistrum的上部 - 美国大都会艺术博物馆展品查阅

品名（中）	naos sistrum的上部
品名（英）	Upper part of a naos sistrum
入馆年号	1926年，26.7.986
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 750 - 公元前 525
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	高 19 厘米 (7 1/2 英寸); 宽 7.3 厘米 (2 7/8 英寸); 深 3.5 厘米 (1 3/8 英寸)
介绍（中）	naos sistrum的上部保留了源自蝙蝠恋物癖的头部和蜗壳，以及下端带有uraeus的naos框架。哈索尔标志戴着晚期最常见的直假发，而不是在某些西斯特拉上看到的卷曲假发。女神的脸颊总是宽阔，下巴扁平，但这里的四边形通过她额头和耳后的头发线条以及强调的方形下巴来强调。棱角分明和明亮的蓝色使得这个例子的日期可能比这里展示的其他一些例子早一些;例如，在第三中间时期的贝斯神的图像中当然可以看到棱角。两侧各设有三个孔，用于固定拨浪鼓盘的电线。尽管与木材或金属相比，彩陶是一种相对易碎的材料，但没有理由认为彩陶不适合一次性使用或节日使用，并且孔周围的磨损痕迹可能表明电线实际上是插入此示例和使用的乐器。
介绍（英）	This upper part of a naos sistrum preserves the head and volutes derived from the Bat fetish and the naos frame with uraeus at the lower end. The Hathor emblem wears the straight wig that seems most common in the Late Period, rather than the curled wig seen on some sistra. The goddess’s face is always broad at the cheeks and flattened at the chin, but the quadrangular form here is emphasized by the lines of the hair drawn down across her forehead and behind her ears and by the emphatically squared chin. The angularity and the bright blue color make it possible this example dates somewhat earlier than some of the others exhibited here; the angularity is certainly seen, for example, in images of the god Bes from the Third Intermediate Period. Three holes on either side are provided for wires to hold rattle disks. Although faience is a relatively breakable material compared to wood or metal, there is no reason that faience sistra would not be suitable for single use or festival use, and traces of wear around the holes might suggest the wires were actually inserted in this example and the instrument used.