Hartophnakhtes和Tatita的女儿Tanawerow的宗教文本 - 美国大都会艺术博物馆展品查阅

品名（中）	Hartophnakhtes和Tatita的女儿Tanawerow的宗教文本
品名（英）	Religious text of Tanaweruow, daughter of Hartophnakhthes and Tatita
入馆年号	1931年，31.9.7
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元 54 - 公元 68
创作地区	可能来自: （Probably from: ）
分类
尺寸	Framed: 高 32.2 厘米 (12 11/16 英寸); 宽 140.5 厘米 (55 5/16 英寸); 深 2.厘米 (13/16 英寸)
介绍（中）	Papyrus Harkness是为已故妇女Tanawerow题写的宗教太平间文本，她的父亲Hartophnakthes是主要朗诵者。纸莎草最近经过了充分的翻译和分析，可以对这本不同寻常的文本进行概述纸莎草由几个部分组成：a）Hartophnakhtes在防腐处向Tanawerow致辞，承诺为她的坟墓配备设备；b）他走到坟墓前，给它装上装备，把坟墓称为她的另一个自我，并用开口仪式来激活它；c）死者发出哀歌；d）父亲回到防腐的地方，在那里他背诵与女儿下葬前一天晚上有关的文字；e）第二天，他背诵与一天中的时间相关的文本；f）他在墓前向女儿背诵赞美诗；g）进一步的赞美以对各种神、受祝福的灵魂和死者本人的长篇大论结束；h）在女儿下葬后，父亲以死者母亲的身份对坟墓说话，后者将生下躺在坟墓里的孩子；i）这位父亲在墓前以祝酒结束仪式。特别是a-c和h-i部分是相当不寻常的组成文本从非常生动的图像中获得了很大的效果。航海图像很突出，死者向死后的过渡被描述为在神为她提供的船上航行（棺材？），他们在奥西里斯的帆下看到她，这可能是指她的木乃伊绷带。这位父亲将她与送给那些不值得的人的水果进行比较，哀叹她的损失是多么的浪费。用一块布敷在她的眼睛和包裹她的四肢被描述为"乌云笼罩着她，黑暗笼罩着她"，而诽谤或供奉可以被称为"露水"
介绍（英）	Papyrus Harkness is a religious mortuary text inscribed for the deceased woman Tanaweruow, whose father Hartophnakthes is the principal recitant. The papyrus has recently been fully translated and analyzed, allowing an overview of this unusual text. The papyrus comprises several sections: a) Hartophnakhthes addresses Tanaweruow at the embalming place, promising to equip her tomb; b) he goes to the tomb and equips it, addressing the tomb as her alter-ego and animating it with the Opening of the Mouth ritual; c) the deceased utters a lament; d) the father returns to the embalming place where he recites texts associated with the hours of the night preceding his daughter's burial; e) the next day he recites texts associated with the hours of the day; f) he recites glorifications to his daughter at the tomb; g) further glorifications conclude with a litany to various gods, blessed spirits, and the deceased herself; h) after his daughter's interment the father speaks to the tomb as the mother of the deceased who will give (re)birth to the one lying within it; i) the father concludes the rites at the tomb with libations. Especially sections a-c and h-i are rather unusual compositions. The text derives much effect from remarkably vivid imagery. Nautical imagery is prominent, with the deceased's transition to the afterlife described as a voyage on board a ship (the coffin?) which deities provide for her, and they behold her beneath the sails of Osiris which may be a reference to her mummy bandages. The father laments the wastefulness of her loss by comparing her with fruit which has been given to those unworthy of it. The appllcation of a cloth to her eyes and the wrapping of her limbs is described as "the cloud seizing her and the darkness enveloping her," while libations or offerings may be called "dew."