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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)死者向被神化的曼图霍特普和艾哈迈德·内费尔塔里(Ahmose Nefertari)致敬,并与哈托尔奶牛一起从山上爬出来;阿蒙内米内特墓
品名(英)Deceased censing and libating to the deified Mentuhotep and Ahmose-Nefertari, with the Hathor cow emerging from the mountain; Tomb of Ameneminet
入馆年号1930年,30.4.124
策展部门埃及艺术Egyptian Art
创作者Charles K. Wilkinson【1897 至 1986】
创作年份公元前 1295 - 公元前 1170
创作地区来自于: 埃及(From: Egypt)
分类
尺寸facsimile: h. 60 厘米 (23 5/8 in); w. 87.5 厘米 (34 7/16 in) scale 1:1 framed: h. 62.9 厘米 (24 3/4 in); w. 90.8 厘米 (35 3/4 in)
介绍(中)1907年至1938年间,在英国埃及学家诺曼·德·加里斯·戴维斯(Norman de Garis Davies)的领导下,博物馆埃及探险队的图形部门开展了一项文献项目,目的是尽可能准确地记录古代古迹


这幅传真复制了一幅小场景,画在阿蒙奈奈墓教堂西北角(底比斯第277号墓)。这座小型岩石切割墓位于古尔奈-穆赖墓地,是为阿蒙霍特普三世国王的太平间神庙中的一位牧师修建的,可能是在第20王朝时期。


阿蒙明奈被描绘在左侧,在国王门图霍特普二世和王后艾哈迈德·内费尔塔里面前献上了圣餐和祭奠。在底比斯山的另一边,是母牛女神海瑟。Mentuhotep II和Ahmose Nefertari在死后被展示,不是作为生物,而是作为图像,正如Mentuhotop II脚下的矩形底座和Ahmose Nelfertari的深色肤色所暗示的那样。AhmoseNefertari的遗书中经常显示她的皮肤是黑色的。在古埃及,黑色唤起了新生和再生,与尼罗河泛滥带来的肥沃黑土有关。深色肤色是指AhmoseNefertari死后获得的神化地位。作为一个新王朝(第18王朝)的缔造者,国王艾哈迈斯的妻子,阿蒙霍特普一世的母亲,她可能被视为整个王朝的女族长,在某种程度上体现了再生的思想


这一场景发生在底比斯西部地区。这一场景是由国王内贝佩特尔·门图霍特普二世(Neghepetre Mentuhotep II)的出现引起的,他是底比斯统治者家族的后裔,在代尔埃尔·巴赫里(Deir el Bahri)修建了他的陵墓和太平间;AhmoseNefertari与她的儿子阿蒙霍特普一世一起成为代尔梅迪纳艺术社区的守护神;早在第12王朝,底比斯地区就崇拜奶牛女神哈托尔;以及底比斯山,它是尼罗河西岸沙漠高原之前山脉的一部分。
介绍(英)Between 1907 and 1938, under the leadership of British Egyptologist Norman de Garis Davies, the Graphic Section of the Museum’s Egyptian Expedition undertook a documentation project with the goal of recording ancient monuments as accurately as possible.


This facsimile copies a small scene painted in the northwest corner of the tomb chapel of Ameneminet (Theban tomb no. 277). Located in the Qurnet Murai necropolis, this small rock-cut tomb was made for a priest serving in the mortuary temple of King Amenhotep III, probably during the course of Dynasty 20.


Ameneminet is depicted on the left, pouring a libation and censing in front of King Mentuhotep II and Queen Ahmose-Nefertari. Beyond, in the Theban mountain, is the cow goddess Hathor. Mentuhotep II and Ahmose-Nefertari are shown posthumously, not as living beings but as images, as suggested by the rectangular pedestal beneath Mentuhotep II’s feet and Ahmose-Nefertari’s dark complexion. Ahmose-Nefertari’s posthumous representations often show her with black skin. In ancient Egypt the color black evoked rebirth and regeneration, in connection with the fertile black soil brought by the Nile inundation. The dark complexion refers to the deified status Ahmose-Nefertari acquired after her death. As the wife of King Ahmose, founder of a new dynasty (Dynasty 18), and mother of Amenhotep I, she may have been seen as the matriarch of the entire dynastic line and in some ways she embodied the idea of regeneration.


This scene is set in the well-defined locality of Western Thebes. This setting is evoked by the presence of King Nebhepetre-Mentuhotep II, who descended from a family of Theban rulers and built his tomb and mortuary temple at Deir el-Bahri; Ahmose-Nefertari, who, with her son Amenhotep I, became the patron deity of the artistic community of Deir el-Medina; the cow goddess Hathor, who was worshipped in the Theban area as early as Dynasty 12; and the Theban mountain that was part of the mountain range preceding the desert plateaus on the west bank of the Nile river.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。