纳里希拉的东方之旅 - 美国大都会艺术博物馆展品查阅

品名（中）	纳里希拉的东方之旅
品名（英）	Narihira's Journey to the East
入馆年号	1929年，JP1789
策展部门	亚洲艺术（Asian Art）
创作者	Rekisentei Eiri【1789 至 1801】【日本人】
创作年份	公元 1767 - 公元 1799
创作地区
分类	印刷品（Prints）
尺寸	图像 (each): 14 9/16 x 9 3/4 英寸 (37 x 24.8 厘米)
介绍（中）	《伊势物语》第九章是日本文学中最著名的篇章，也是最常出现的插图之一。Narihira已经失去了在首都继续他世俗生活的所有意愿，在一种忧郁的情绪中，他和一两个亲密的朋友离开了家，在东部省份寻求和平的生活。插图画家最常描绘的是在这场Azuma kudari或东方之旅中，沮丧的旅行者经过富士山脚下的时刻。据推测，这就是这里三联画的主题，但这位艺术家毫不犹豫地放弃了《伊势物语》中描述的旅程中的孤独和幻灭。在这种对古典主题的现代模仿中，对一小群忧郁的旅行者的诗意描述被用作举办一场由美丽的江户时代女性穿着最优秀的现代时尚的迷人盛会的借口。艺术家对文本的忠实演绎毫不在意，甚至连浪漫主义英雄纳里希拉本人也被描绘成一个炫耀漂亮衣服的漂亮女孩。
介绍（英）	The ninth chapter in The Tales of Ise is the most famous passage of the text and one of the most frequently illustrated in Japanese literature. Narihira has lost all will to continue his worldly life in the capital and, in a disconsolate mood, leaves home with one or two close friends in search of a peaceful existence in the eastern provinces. Illustrators most often represented the moment during this Azuma kudari, or journey to the east, when the dispirited travelers pass the foot of Mount Fuji. Supposedly, that is the subject of the triptych here, but the artist had no qualms whatsoever about abandoning the loneliness and disillusionment of the journey described in The Tales of Ise. In this mitate, or contemporary parody of classical subjects, the poetic description of the small, gloomy group of travelers is used as an excuse to mount a glamorous pageant of beautiful Edo-period women wearing the finest contemporary fashions. So unconcerned was the artist with the faithful rendition of the text that even the romantic hero, Narihira himself, was represented as a pretty girl showing off her fine clothes.