剧中的场景“Keisei Kaneni Sakura” - 美国大都会艺术博物馆展品查阅

品名（中）	剧中的场景“Keisei Kaneni Sakura”
品名（英）	Scene from the Play "Keisei Kaneni Sakura"
入馆年号	1949年，JP3090
策展部门	亚洲艺术（Asian Art）
创作者	Torii Kiyohiro【1737 至 1776】【日本人】
创作年份	公元 1756
创作地区
分类	印刷品（Prints）
尺寸	12 1/4 x 5 3/4 英寸 (31.1 x 14.6 厘米)
介绍（中）	清弘的作品出现在 a740 年代和 1760 年代之间，主要创作两色和三色印刷品（benizuri-s）。他避开了早期在版画上刷颜色的技术，而是应用玫瑰红色和绿色，这是他作品的特征。这幅版画中描绘的戏剧改编了八世纪中国玄宗皇帝和他的妃子杨桂飞的悲惨故事。1756年新年期间在森田剧院演出，演员市川正三和东东三经常被选为乐队和妻子。虽然这个主题的中国起源在宽松的中式服装和珠宝帽中传达出来，但这个印花几乎没有其他中国特色。通过将他的演员放在樱花树下，并用标有典型的日本演员徽章和相连的六边形和双瓣樱桃图案的长袍包裹他们，清弘完全改变了主题，用线条和颜色传达了温柔的情绪。
介绍（英）	Kiyohiro, whose works appeared between the a740s and 1760s, worked primarily in two- and three-color prints (benizuri-s). He eschewed the earlier technique of brushing color onto prints and instead applied rose-red and green, the sof colors that characterize his work. The play depicted in this print adapts the tragic story of the eighth-century Chinese Emperor Hsuan-tsung and his concubine, Yang Kyei-fei. Performed at the Morita Theater during the New Year season in 1756, it featured the actors Ichikawa Masuzō and Azuma Tōzō, who were frequently cast as hunband and wife. Although the Chinese origin of the subject is conveyed in the loose, Chinese-style garments and jeweled caps, there is little else Chinese about this print. By setting his actors under a cherry tree and wrapping them in robes marked with large, typically Japanese actors' crests and linked hexagons and double-petal cherry motifs, Kiyohiro has completely transformed the subject, conveying the tender mood in line and color.