神田近谷町染坊 - 美国大都会艺术博物馆展品查阅

品名（中）	神田近谷町染坊
品名（英）	Dye House at Konya-cho, Kanda
入馆年号	1936年，JP2513
策展部门	亚洲艺术（Asian Art）
创作者	Utagawa Hiroshige【1797 至 1858】【日本人】
创作年份	公元 1857
创作地区
分类	印刷品（Prints）
尺寸	高 13 英寸 (33 厘米); 宽 8 1/2 英寸 (21.6 厘米)
介绍（中）	在广治时代，任何了解江户的人都能认出这座城市最著名的三个地标：遥远的富士山、千代田城堡和日本桥。因此，城堡坐落在城镇景观中，富士山在地平线上，这无疑是江户的景象。但是，尽管这些特征在描绘首都时是必不可少的，但将这一观点定位在染色机干燥平台的风吹纺织品中是广志的创新。他从Konya cho看到江户，这是一条位于城镇商人区的街道，所有的专业染布师都聚集在这里挂在风中的布条将被切成tenugui（或毛巾），男子在秋季节日期间将其绑在头上。因此，我们知道秋天就在这里，节日就在眼前同样，裁剪用于将前景主题的动态形式推到查看器的顶部。各种尺寸的纺织品并置，像横幅一样悬挂，为构图增添了生动的节奏感。一只小鸟在天空中独自飞翔，给人一种辛辣的感觉。
介绍（英）	In Hiroshige's day, anybody who knew Edo could recognize the city's three most prominent landmarks: distant Mount Fuji, Chiyoda Castle, and Nihon Bridge. Thus, the inclusion of the castle nestled in the townscape and Mount Fuji on the horizon leaves no doubt that this is an Edo scene. But while these features were de rigueur in depictions of the capital, positioning the viewpoint amid the windblown textiles of a dyer's drying platform was Hiroshige's innovation. He views Edo from Konya-cho, a street in the tradesmen's section of town where all the professional cloth dyers were clustered. The strips of cloth hanging in the wind are to be cut into tenugui (or towels), which men tie around their heads during the autumn festival. Thus, we know that autumn is depicted here and that the festival is near at hand. Again, cropping is used to thrust the dynamic forms of the foreground subject matter virtually on top of the viewer. The juxtaposition of various sizes of textiles, hanging like banners, lends an animated sense of rhythm to the composition. A small bird flying by itself in the middle of the sky adds a piquant touch.