冬季景观 - 美国大都会艺术博物馆展品查阅

品名（中）	冬季景观
品名（英）	Winter Landscape
入馆年号	1936年，36.100.61
策展部门	亚洲艺术（Asian Art）
创作者	Kano Sansetsu 狩野山雪【1590 至 1651】【日本人】
创作年份	公元 1626 - 公元 1650
创作地区
分类	绘画（Paintings）
尺寸	图像: 29 3/16 × 9 7/16 英寸 (74.1 × 24 厘米) 整体 with mounting: 55 11/16 × 10 1/16 英寸 (141.5 × 25.5 厘米) 整体 with knobs: 55 11/16 × 11 5/8 英寸 (141.5 × 29.6 厘米)
介绍（中）	冬季的中国山水画是Kano Sansetsu最喜欢的主题，适合一个名字字面意思是"山上的雪"的画家。作为Kano画派京都分院的第二代院长（Kyōgano-ke），Sansetsu可能最出名的是他富有色彩和金色的迷人的大型画作，例如the Met's Old Plum（1975.268.48a–d），他在这种模式下的杰作之一。但他同样在家里以较小的规模使用单色墨水。在这幅狭窄的卷轴作品中，一个戴着宽边帽的孤独男子骑着他的驴子沿着河岸，经过一座桥和一棵老树。也许他的目的地是在雪山之间看到的那座大亭子。或者他只是路过这荒凉的雪景。这两个主要的主题——一棵老树附近戴着宽边帽的孤独骑驴和三座白雪峰——都可以在三濑户的其他一些画作中找到，要么是单独的作品，要么是在折叠屏幕或面板上制作成更大比例的作品。它们被认为是受到13世纪中国画家梁楷的一幅著名的风景画的启发梁楷（约1140年-约1210年），至少从15世纪开始就在日本。
介绍（英）	Wintry Chinese landscapes were a favorite subject of Kano Sansetsu, fitting for a painter whose name literally means “Mountain Snow.” Second-generation head of the Kyoto branch of the Kano school of painters (Kyōgano-ke), Sansetsu is perhaps best known for his beguiling, large-scale paintings in rich color and gold, exemplified by The Met’s Old Plum (1975.268.48a–d), one of his masterworks in this mode. But he was equally at home working in ink monochrome at a smaller scale. In this narrow hanging scroll composition, a lone man wearing a wide-brimmed hat rides his donkey along a riverbank, past a bridge and old tree. Perhaps his destination is the large pavilion seen between the snowy mountains above. Or maybe he is just passing through this desolate snowscape. Both primary motifs—the lone donkey rider with wide-brimmed hat near an old tree and the three snowy peaks—can be found in a number of other paintings by Sansetsu, either as individual compositions or worked into larger scale compositions on folding screens or panels. They are thought to have been inspired by a well-known landscape of the same subject by the thirteenth-century Chinese painter Liang Kai 梁楷 (ca. 1140–ca. 1210) that has been in Japan since at least the fifteenth century.