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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)雷姆凯墓教堂:西墙
品名(英)Tomb Chapel of Raemkai: West Wall
入馆年号1908年,08.201.1d
策展部门埃及艺术Egyptian Art
创作者
创作年份公元前 2446 - 公元前 2389
创作地区来自于: 埃及(From: Egypt)
分类
尺寸
介绍(中)西墙

在古埃及神话中,西方是死者的王国。因此,在所有旧王国的陵墓中,西墙都有一个象征性的门口(埃及学家称之为假门),作为祈祷和供奉的焦点。与假门(08.201.1e)一起,西墙通常呈现与供奉仪式密切相关的场景。在这堵西墙上,在大假门的右边,一排排的服务员端着桌子,桌子上堆满了祭品。在最上面保存的登记册中,墓主人坐在一把狮子腿的椅子上,接受礼物。底部第二个登记册中的屠宰场景也被恰当地放置在这面墙上,因为肉是最重要的肯定生命的祭品之一

屠宰和肉类准备
底部第二个寄存器中的表示结构对称。在右边和左边,一群男人在屠宰的牛上工作,而在中间,一名厨师在一个低块上切肉。精选的切块放在陶土炉上的一个盆里炖,附近还有更多的盆。这个场景包含了一些不同寻常的细节。屠宰过程中的阶段,如左图中显示的动物暴露的胸腔,很少被描绘出来。更不寻常的是在最右边的图像,它显示了一把燧石刀上掉下的小碎片,这把刀正被一个骨头工具敲打着用来磨快。铭文只添加到不太常见的活动中:"屠宰"写在左边的拔节上方,"烹饪肉类"出现在中间,"磨刀"出现在右边。从主题上讲,上面登记处最右边的那个人烤了一只鸭子,这应该是屠宰现场的一部分,但下面没有他的位置

捕鸟
在最下面的寄存器中,一个大的拍手网被五个人拉上。网里塞满了各种各样的鸟;莲花和树叶漂浮在它们周围,这表明陷阱被放置在沼泽地的一个水池中。这些男人的裸体(一个不同寻常的细节)进一步强调了他们的水环境。水池周围是芦苇和纸莎草植物,但它们在这里的描绘非常风格化,就像一道低矮的栅栏。事实上,芦苇比人还高,所以运输者看不到网。因此,一名信号员驻扎在设置陷阱的地方附近,以便在该拉的时候向运输人员发出信号。由于叫喊会惊扰鸟类,信号员举起一块伸展的布。在左边,另一个已经收集了几只鸟的人把它们送到假门的供物处。
介绍(英)THE WEST WALL

In ancient Egyptian mythology the west was the realm of the dead. Therefore, in all Old Kingdom tombs, west walls incorporate a symbolic doorway (called a False Door by Egyptologists) as a focal point for prayers and offerings. Along with the False Door (08.201.1e), west walls usually present scenes that are closely related to the offering rituals. On this west wall, to the right of the large False Door, rows of attendants bring tables on which offerings are heaped. In the uppermost preserved register the tomb owner, seated on a lion-legged chair, receives the gifts. The butchering scene in the second register from the bottom is also appropriately placed on this wall, as meat was among the most important life-affirming offerings.

Butchering and Meat Preparation
The representation in the second register from the bottom is structured symmetrically. At right and left, groups of men work on butchered cattle, while in the center, a cook cuts meat on a low block. Choice cuts simmer in a basin over a terracotta stove, and more basins are positioned nearby. The scene includes some unusual details. Stages in the butchering like the one on the left that shows the animal's exposed ribcage were only rarely depicted. Even more unusual is the image at the far right, which shows small chips falling from a flint knife that is being knapped with a bone instrument for sharpening. Inscriptions were added only to the activities less frequently seen: "butchering" is written above the jointing on the left, "cooking meat" appears in the center, and "knife-sharpening" on the right. Thematically, the man roasting a duck at the far right of the register above should be part of this slaughtering scene, but there was no space for him below.

Bird-Catching
In the bottom register a large clap-net is pulled closed by five men. The net is tightly packed with all kinds of birds; lotus flowers and leaves float around them, indicating that the trap was placed in a pool in the marshes. The men's nudity (an unusual detail) further emphasizes their aquatic environment. The pool is surrounded by reeds and papyrus plants, but their depiction here is so stylized that they resemble a low fence. In reality, the reeds were higher than a man, so that the haulers could not see the net. Therefore, a signalman was stationed close to where the trap had been set to signal the haulers when it was time to pull. Since shouting would disturb the birds, the signalman raises a stretched piece of cloth. At left another man who has already collected a few birds presents them to the offering place at the False Door.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。