一位女神的头像，可能是穆特（Mut），用于依附于游行酒吧（？） - 美国大都会艺术博物馆展品查阅

品名（中）	一位女神的头像，可能是穆特（Mut），用于依附于游行酒吧（？）
品名（英）	Head of a goddess, probably Mut, for attachment to a processional barque (?)
入馆年号	2008年，2008.353
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 700
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	高 17.5 厘米 (6 7/8 in); 高 of face (forehead to chin) 5.2 厘米 (2 in); 高 of modius 3.5 厘米 (1 3/8 in); depth 14 厘米 total (5 1/2 in) 包含 2.5 厘米 (1 in) of perpendicular attachment element extending beyond headdress
介绍（中）	在节日的日子里，神的形象被抬出寺庙，在游行的树皮神殿上。大多数情况下，图像本身隐藏在神龛中，但船头和船尾的雕刻头像向民众表明了神的身份，皇家雕像围绕并保护隐藏在神坛中的神，其他保护神骑在船头。这个巨大的女性头像是镀金和镶嵌的，最初戴着阿蒙的配偶穆特的双冠，以及女王式女神的标志性的双uraeus。从她的假发前长发的排列来看，这座雕塑可能出现在穆特的酒吧神龛的船头；如果它是为船尾设计的，头发会向前突出，使其能够沿着女神头部前面的酒吧酒吧的水平表面。
介绍（英）	Images of gods were carried out of temples on festival days on processional bark-shrines. Most often the image itself was concealed in a shrine, but sculpted heads at the prow and stern identified the god to the populace, royal statuary surrounded and protected the god hidden in the shrine, and other protective gods rode at the prow. This large female head was gilded and inlaid and originally wore the double crown of Amun's consort, Mut, as well as the double uraeus that was a hallmark of queenlike goddesses. Judging from the arrangement of the long front locks of her wig, this sculpture would have appeared at the prow of Mut's barque-shrine; if it had been intended for the stern, the hair would have projected forward, allowing it to fit along the horizontal surface of the barque in front of the goddess' head.