碧瓦湖四季 - 美国大都会艺术博物馆展品查阅

品名（中）	碧瓦湖四季
品名（英）	Lake Biwa in Four Seasons
入馆年号	2016年，2016.254.1, .2
策展部门	亚洲艺术（Asian Art）
创作者	Nukina Kaioku【1778 至 1863】【日本人】
创作年份	公元 1834
创作地区
分类	绘画（Paintings）
尺寸	图像: 24 9/16 × 60 5/8 英寸 (62.4 × 154 厘米) 整体 with mounting: 67 1/2 × 25 3/8 英寸 (171.4 × 64.5 厘米)
介绍（中）	琵琶湖是日本最大的内陆水体，也是一个著名的风景区，可以俯瞰四季。从右侧屏幕开始，常青松树中的草和含苞待放的花朵暗示着春天，而岸边郁郁葱葱的柳树则传达着夏天的心情。左侧屏幕遵循中国的景观传统，而不是描述湖泊周围的实际外观，显示了鹅的形成，并描绘了秋天的景象，这让位于荒凉的冬季山区景观每一个屏幕上都刻有中国的时令诗，这些诗是在Kaioku优雅的手中刷过的。在右边的铭文中，书画家Kaioku回忆起他创作这首诗的那次晚春湖边郊游。Kaioku被尊为"江户时代末期三大书法家"，是一位为淡路省德岛大名服务的武士之子。
介绍（英）	Lake Biwa, the largest inland body of water in Japan and a famous scenic locale, is captured in a panoramic view that spans the four seasons. Beginning on the right side of the right screen, grasses and budding flowers amid evergreen pine trees suggest spring, while lush willows on the shore convey a summer mood. The left screen—following Chinese landscape traditions rather than describing the actual appearance of the lake’s environs—shows a formation of geese and depicts an autumnal scene, which gives way to a stark mountainous winter landscape. Each screen is inscribed with Chinese seasonal poems brushed in Kaioku’s elegant hand. In the inscription on the right, the calligrapher-painter Kaioku recalls the late spring outing to the lake during which he composed the poem. Revered as one of the Bakumatsu no Sanpitsu, or “Three Great Calligraphers of the End of the Edo Period,” Kaioku was the son of a samurai in the service of the daimyo of Tokushima, Awa Province.