顺治皇帝马术比赛 - 美国大都会艺术博物馆展品查阅

品名（中）	顺治皇帝马术比赛
品名（英）	Horsemanship Competition for the Shunzhi Emperor
入馆年号	2002年，2002.328
策展部门	亚洲艺术（Asian Art）
创作者	Nardunbu【1600 至 1699】【满族人】
创作年份	公元 1662
创作地区
分类	绘画（Paintings）
尺寸	8 x 655 英寸 (20.3 x 1663.7 厘米) 高 of painting with paper mounting: 9 3/8 英寸 (23.8 厘米); height of painting with brocade mounting: 12 英寸 (30.5 厘米); frontispiece: 8 x 12 3/8 英寸 (20.3 x 31.4 厘米)
介绍（中）	这幅长长的手卷记录了明朝被满人推翻后不久，顺治皇帝（1644-61年在位）进入北京的庆祝活动之一。它由一位满族艺术家绘制，是已知的最早的清代宫廷绘画作品之一，表明了康熙皇帝统治下的宫廷中国化之前（1662–1722年在位）满族艺术的原始性质。这幅卷轴不仅具有重大的历史意义，而且是1697年左右《康熙皇帝南巡记》（编号1979.5）的一个引人注目的陪衬，反映了中国主流文化对宫廷赞助的影响这幅画可能是一幅预备草图，展示了一排骑手，每个骑手都在表演不同的骑行特技（如下）。在右端，两排皇家保镖在两名即将表演的骑手的侧翼。五名男子吹着海螺宣布下一位骑手，而两名警官（其中一人的帽子上有孔雀羽毛）则直接指挥。每个骑手最初都有两个标签条，分别命名他的姿势和军事单位。所有的骑兵都属于划分满清军队的八个"旗"中排名最高的三个之一。
介绍（英）	This long handscroll documents one of the celebratory events accompanying the entrance of the Shunzhi emperor (r. 1644–61) into Beijing shortly after the fall of the Ming dynasty to the Manchus. Painted by a Manchu artist, it is among the earliest examples of Qing courtly painting known and suggests the unsophisticated nature of Manchu art prior to the sinicization of the court under the Kangxi emperor (r. 1662–1722). The scroll is not only of great historical interest but also serves as a striking foil to The Kangxi Emperor's Southern Inspection Tour (acc. no. 1979.5) of about 1697, which reflects the impact of mainstream Chinese culture on court patronage. The painting which is probably a preparatory sketch, presents a file of horsemen each performing a different riding stunt (below). At the right end two rows of imperial bodyguards flank two horsemen who are about to perform. Five men blow conches to announce the next rider, while two officers, one identified by a peacock feather in his cap, direct. Each rider was originally accompanied by two label strips naming his pose and military unit. All of the horsemen belong to one of the three highest-ranking of the eight "banners" that divided the Manchu army.