“蚀刻论”图版1 - 美国大都会艺术博物馆展品查阅

品名（中）	“蚀刻论”图版1
品名（英）	Plate 1 for "Treatise on Etching"
入馆年号	1959年，59.500.789
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Maxime-François-Antoine Lalanne【1827 至 1886】【法国人】
创作年份	公元 1866
创作地区
分类	印刷品（Prints）
尺寸	Plate: 7 3/16 × 4 9/16 英寸 (18.2 × 11.6 厘米) 页: 9 英寸 × 6 1/8 英寸 (22.9 × 15.5 厘米)
介绍（中）	和19世纪法国许多有抱负的艺术家一样，马克西姆·拉兰搬到了巴黎，在那里他可以在一位知名历史画家的工作室工作，并在公共沙龙展出。在与阿尔弗雷德·卡达特会面后，他放弃了这些目标，转而选择蚀刻。Lalanne成为Sociétédes Aquafortistes的活跃成员，并经常为该团体的专辑贡献城市景观。然而，他最为人所知的是1866年出版的《蚀刻论》。该文本详细介绍了从工具准备到印刷技术的每个生产阶段，此外还对蚀刻的理想用途和独特品质进行了更多的理论评论。Lalanne自己的版画贯穿了整个文本，生动地展示了各种过程的结果。由于艺术家们经常自学或向朋友学习如何蚀刻，《论》在整个欧洲和美国都非常受欢迎，并鼓励在媒体上进行进一步的实验第二种状态见59.500.780，带有和额外的蚀刻线条，铭文中添加了"巴黎"。
介绍（英）	Like many aspiring artists in nineteenth-century France, Maxime Lalanne moved to Paris, where he was able to work in the studio of an established history painter, and to exhibit at the public Salon. After meeting Alfred Cadart, he abandoned these goals in favor of etching. Lalanne became an active member of the Société des Aquafortistes and frequently contributed urban views to the group's albums. He was best known, however, for his Treatise on Etching, published in 1866. The text featured detailed instruction on each stage of production, from preparation of tools to printing techniques, in addition to more theoretical commentary on the ideal uses and distinct qualities of etching. Interspersed throughout the text, Lalanne's own prints tangibly illustrated the outcomes of various processes. Because artists often taught themselves or learned from friends how to etch, the Treatise was immensely popular throughout Europe and the United States and encouraged further experimentation in the media. See 59.500.780 for second state with and additional etched lines and "Paris" added to the inscription.