“苏丹”纺织品窗帘 - 美国大都会艺术博物馆展品查阅

品名（中）	“苏丹”纺织品窗帘
品名（英）	Curtain of "Sultan" textile
入馆年号	2015年，2015.794
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Owen Jones【1809 至 1874】【英国人】
创作年份	公元 1870 - 公元 1874
创作地区
分类	机织纺织品（Textiles-Woven）
尺寸	整体: 114 3/4 × 63 5/8 英寸 (291.5 × 161.6 厘米)
介绍（中）	欧文·琼斯（Owen Jones）是19世纪标志性且有影响力的历史装饰品和图案研究"装饰语法"的作者，是一位设计创新者和理论家，对重复图案等有着浓厚的兴趣。在这种特殊的面料中，琼斯展示了他对提花控制织机可能性的全面掌握，利用织机的能力在紧凑的构图中创造多种纹理效果。仅4种颜色的有效使用和内部图案的有效分布使"苏丹"具有高度质感的外观。"苏丹"还说明了琼斯色彩理论命题之一，其中他建议装饰和强烈色彩的背景应该用浅色的轮廓分开，以帮助眼睛分别阅读这两个元素。在这种情况下，棕榈和玫瑰花结元素以纯金勾勒出轮廓，以将这些图案的叶子设计与彩色破折号的背景设计分开。
介绍（英）	The author of the iconic and influential 19th-century study of historic ornament and pattern, “The Grammar of Ornament,” Owen Jones was a design innovator and theorist with a keen interest in repeating pattern, among other things. In this particular fabric, Jones displayed his total command of the possibilities of the jacquard-controlled loom, taking advantage of the loom capability to create multiple textural effects within a tight composition. The effective use of just 4 colors and the efficient distribution of interior patterns gives “Sultan” the appearance of being highly textural. “Sultan” also illustrates one of Jones color theory propositions, in which he suggests that ornament and backgrounds of strong colors should be separated by an outline of a lighter color to help the eye read the two elements separately. In this case, the palmette and rosette elements are outlined in solid yellow-gold to separate these patterned foliate designs from the background design of colored dashes.