圣保罗的殉难和圣彼得的谴责 - 美国大都会艺术博物馆展品查阅

品名（中）	圣保罗的殉难和圣彼得的谴责
品名（英）	The martyrdom of Saint Paul and the condemnation of Saint Peter
入馆年号	1953年，53.601.37
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giovanni Jacopo Caraglio【1500 至 1565】【意大利人】
创作年份	公元 1524 - 公元 1527
创作地区
分类	印刷品（Prints）
尺寸	页 (Tri毫米ed): 10 7/16 × 17 7/8 英寸 (26.5 × 45.4 厘米)
介绍（中）	这幅版画雕刻于 1527 年罗马洗劫前，是意大利风格主义艺术家帕尔马干酪和技艺精湛的雕刻师卡拉格里奥合作的结果。帕玛强尼诺的许多与构图有关的图纸幸存下来，包括卡拉格里奥用于将设计转移到盘子上的实际模型（伦敦大英博物馆）。帕玛强尼诺可能创造了这个设计来装饰梵蒂冈的Sala dei Pontefici - 一个从未实现的委托 - 尽管这还远未确定。版画展示了尼禄皇帝下令处决使徒彼得和保罗之前的时刻。圣彼得跪在他的刽子手面前，而在他身后，圣保罗被拉开胡须被钉在十字架上。帕玛强尼诺的一幅描绘了梅特波利坦博物馆（65.112.2）中基督幻影的画作，画在卡拉格里奥版画印象的背面。印刷品的碎片是从右上角显示木星和鹰的部分。
介绍（英）	Engraved just before the Sack of Rome in 1527, this print is the result of the collaboration of the Italian Mannerist artist Parmigianino and the skilled engraver Caraglio. A number of drawings by Parmigianino relating to the composition survive, including the actual model used by Caraglio to transfer the design to the plate (British Museum, London). Parmigianino may have created this design to decorate the Sala dei Pontefici in the Vatican—a commission that was never realized—though that is far from certain. The engraving shows the moments preceding the execution ordered by Emperor Nero of the apostles Peter and Paul. Saint Peter kneels in the foreground before his executioner, while behind him Saint Paul is pulled away by his beard to be crucified. A drawing by Parmigianino depicting an apparition of Christ in the Metrpolitan Museum (65.112.2) is drawn on the back of a fragment of an impression of Caraglio's print. The fragment of the print is the section showing Jupiter and the eagle from the upper right.