恐惧 - 美国大都会艺术博物馆展品查阅

品名（中）	恐惧
品名（英）	La Frayeur
入馆年号	2015年，2015.395
策展部门	摄影（Photographs）
创作者	Pierre-Louis Pierson【1822 至 1913】【法国人】
创作年份	公元 1861 - 公元 1864
创作地区
分类	照片（Photographs）
尺寸	图像: 22 7/16 × 17 5/16 英寸 (57 × 44 厘米) Mat: 29 1/2 × 23 5/16 英寸 (75 × 59.2 厘米)
介绍（中）	1856年，卡斯蒂廖内伯爵夫人Virginia Oldoini（1837-1899）被派往法国，以说服皇帝拿破仑三世以任何必要的手段支持意大利的统一事业。这位无与伦比的美女很快就臭名昭著了，不仅因为他的情妇，还因为她张扬的自我展示。1856年至1867年间，在她生命的尽头，她与摄影师皮埃尔·路易斯·皮尔森合作拍摄了大约400张照片，其中许多照片是根据她的具体指示放大和绘制的。她生活中的精彩场景（有些只是想象中的）与戏剧、歌剧和文学中的片段混合在一起，为精心编排的个人神话服务，这是当今自拍饱和的社交媒体的固定内容，但这在19世纪是前所未有的。在《La Frayeur》中，她指示画家Schad将她的肖像装饰成一个逃离大火的穿着奇装异服的舞会客人。这一场景的确切来源尚不清楚，但它为一个早熟的时尚达人提供了一个完美的场景，让她将自己想象成一个神秘的蛇蝎美人。
介绍（英）	In 1856 Virginia Oldoini (1837-1899), Countess of Castiglione, was sent to France in order to persuade Emperor Napoleon III to champion the cause of Italian unification by any means necessary. The unrivaled beauty quickly became notorious not only as his mistress but also for her flamboyant self-presentation. Between 1856 and 1867, and then again toward the end of her life, she collaborated with the photographer Pierre-Louis Pierson to produce some 400 photographs, many of which were enlarged and painted according to her specific directions. Momentous scenes from her life (some merely imagined) were mixed with episodes drawn from the theater, opera, and literature in service of a carefully choreographed personal mythology that is a fixture of today’s selfie-saturated social media but that was unprecedented in the nineteenth century. In La Frayeur, she instructed the painter Schad to embellish her portrait in the guise of a fancifully dressed ball guest who flees a conflagration. The exact source of the scene remains unknown, but it provides the perfect setting for a precocious fashionista to envision herself as a mysterious femme fatale.