亚当和夏娃哀悼亚伯之死 - 美国大都会艺术博物馆展品查阅

品名（中）	亚当和夏娃哀悼亚伯之死
品名（英）	Adam and Eve Mourning the Death of Abel
入馆年号	2015年，2015.483
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Michiel Coxie (I)【1494 至 1592】【荷兰人】
创作年份	公元 1571 - 公元 1581
创作地区
分类	图画（Drawings）
尺寸	页: 7 13/16 × 10 15/16 英寸 (19.9 × 27.8 厘米)
介绍（中）	米切尔·科谢（Michiel Coxie）也是一名活跃的画家和版画设计师，他的大多数签名画都与版画有关。这张纸是描绘凯恩和亚伯历史的一系列三幅版画中最后一幅的模型，其中第一幅的日期是1576年。杰拉德·德约德（Gerard de Jode）在安特卫普出版的约翰内斯一世·萨德勒（Johannes I Sadeler）的这幅版画的印象，现藏于博物馆藏品中（根据53.601.17（64））。其构图和人物风格受到意大利古董和当代模型的启发，很好地说明了为什么在罗马度过1530年代的科谢（Coxie）获得了"荷兰拉斐尔"的绰号。然而，这幅钢笔画反映了这位艺术家晚年发展起来的更大胆的风格，这一点在萨克拉门托克罗克美术馆的一张纸上也很明显，这张纸的日期为1578年，签名方式与博物馆的例子相同（根据1871.109）。第一批人类哀悼被其兄弟杀害的儿子的主题在《圣经》中找不到，但灵感来自《创世纪》（第4章），1529年卢卡斯·范·莱登（Lucas van Leyden）和1561年科内利斯·科尔特（Cornelis Cort）在科谢（Coxie）的同时代弗兰斯·弗洛里斯（Frans Floris）之后的版画中已经对其进行了处理。
介绍（英）	The majority of autograph drawings by Michiel Coxie, who was also active as a painter and print designer, relate to prints. This sheet served as the model for the final engraving in a series of three depicting the history of Cain and Abel, of which the first plate is dated 1576. An impression of this print by Johannes I Sadeler, published in Antwerp by Gerard de Jode, is present in the Museum’s collection (acc. 53.601.17(64)). The composition and figure style, inspired by both antique and contemporary Italian models, illustrate well why Coxie, who spent the 1530s in Rome, earned the nickname of the "Netherlandish Raphael". Yet the penwork reflects the bolder style developed by the artist in his later years, as also evident in a sheet, dated 1578 and signed in the same manner as the Museum’s example, at the Crocker Art Art Gallery, Sacramento (acc. 1871.109). The subject of the first humans mourning their son killed by his brother is not found in the bible, but was inspired by the book of Genesis (chapter 4), and had been already treated in an engraving by Lucas van Leyden in 1529, and one from 1561 by Cornelis Cort after Coxie's contemporary Frans Floris.