Crown Milano被覆Ewer - 美国大都会艺术博物馆展品查阅

品名（中）	Crown Milano被覆Ewer
品名（英）	Crown Milano Covered Ewer
入馆年号	2015年，2015.514
策展部门	美国之翼（The American Wing）
创作者	Mount Washington Glass Company【1837 至 1958】【美国人】
创作年份	公元 1887 - 公元 1897
创作地区	制造于: 美国, 马萨诸塞州, 新贝德福德（Made in: United States, Massachusetts, New Bedford）
分类
尺寸	19 1/4 英寸 (48.9 厘米)
介绍（中）	十九世纪下半叶，几乎所有媒介都出现了高度装饰性的装饰艺术。这一时期的玻璃制造商正在试验新技术，引入大胆的色彩效果，并接受异国情调的影响。许多新的艺术玻璃线模仿了其他材料。华盛顿山玻璃公司是艺术玻璃的主要生产商之一，拥有"玫瑰琥珀"、"缅甸"和"桃花吹"等异国情调的线条。他们在19世纪90年代初开发了Crown Milano系列，这一系列的灵感主要来自波斯或摩尔设计，这是美国美学运动的一种表现。这只母羊是该公司Crown Milano系列中最精致、最大的例子之一。它的特点是融合了多种风格——亚洲风格（圆形和蜿蜒风格的菊花花和茎）、伊斯兰风格（母羊、盖子和把手的形状）和文艺复兴风格（绘画的推杆和卷轴装饰）。除了其美学属性外，母羊还具有重要的历史意义。这件物品于1893年在芝加哥举行的世界哥伦比亚博览会上展出，这是美国最重要的博览会之一，并在这一时期出版。
介绍（英）	The second half of the nineteenth century witnessed a proliferation of highly ornamental decorative arts in nearly every medium. Glassmakers during this period were experimenting with new techniques, introducing bold color effects, and embracing exotic influences. Many new lines of art glass imitated other materials. The Mount Washington Glass Company was one of the leading producers of art glass, with such exotic lines as "Rose Amber," "Burmese," and "Peach Blow." They developed their Crown Milano line in the early 1890s, a line largely inspired by Persian or Moorish design, a manifestation of the Aesthetic Movement in the United States. This ewer is one of the most elaborate and largest examples of the firm’s Crown Milano line. It features that embracing of a multiplicity of styles--Asian (in the roundels and meandering stylized chrysanthemum flowers and stems), Islamic (in the shape of the ewer, cover, and handle), and Renaissance (in the painted putti and scroll decoration). In addition to its aesthetic attributes, the ewer has significant historical importance. This object was exhibited at the World's Columbian Exposition in Chicago in 1893, one of this country's most important fairs, and was published in the period.