《基本真理亭》诗（真一亭） - 美国大都会艺术博物馆展品查阅

品名（中）	《基本真理亭》诗（真一亭）
品名（英）	Poems from the Pavilion of Fundamental Truth (Zhenyi Ting)
入馆年号	2015年，2015.784.2
策展部门	亚洲艺术（Asian Art）
创作者	Zhou Lianggong【1612 至 1672】【中国人】
创作年份	公元 1612 - 公元 1672
创作地区
分类	书法（Calligraphy）
尺寸	图像: 10 3/8 × 6 1/2 英寸 (26.4 × 16.5 厘米) album: 13 7/8 × 8 1/2 × 1 1/2 英寸 (35.2 × 21.6 × 3.8 厘米)
介绍（中）	这本画册保存了伟大的艺术赞助人和评论家周良功（1612–1672）的一组诗歌。周是十七世纪中期艺术界的重要人物之一；他培养了当代画家，并写下了他们的成就。1673年，他以《都华录》（《亭观画录》）为题发表了关于绘画的批评著作，此后一直被认为是十七世纪绘画的重要来源。这本画册保留了《杜华录》中出现的一些材料的版本，这使它成为研究周良公、他所培养的艺术场景以及他作为评论家的职业生涯的重要信号来源周被公认为书法家。他的标志性风格，在这张专辑中随处可见，将细绑带与块状、棱角分明的线条并置，创造出一种迷人而古怪的原始效果。在这方面，周特别受到了宋代（960–1279）李宗（1205–64，r.1224–64）书法的影响，他在13世纪开创了这种风格。
介绍（英）	This album preserves a group of poems written by the great art patron and critic Zhou Lianggong (1612–1672). Zhou was one of the key figures in the art scene of the mid-seventeenth century; he fostered contemporary painters and also wrote about their accomplishments. His critical writings on painting were published in 1673 under the title Duhua lu (A record of [The Pavilion] for viewing paintings), and they have been considered the essential source on seventeenth century painting ever since. This album preserves versions of some of the material that appears in Duhua lu, which makes it a source of signal importance for the study of Zhou Lianggong, the art scene he fostered, and his career as a critic. Zhou was well regarded as a calligrapher. His signature style, evident throughout this album, features a juxtaposition of thin ligatures with blocky, angular lines to create a charmingly eccentric and somewhat raw effect. In this, Zhou was particularly influenced by the calligraphy of the Song dynasty (960–1279) Emperor Lizong (1205–64, r. 1224–64), who pioneered this style in the thirteenth century.