情人街1号 - 美国大都会艺术博物馆展品查阅

品名（中）	情人街1号
品名（英）	The Lovers' Walk, No. 1
入馆年号	1917年，17.3.328
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Sir Francis Seymour Haden【1818 至 1910】【英国人】
创作年份	公元 1864
创作地区
分类	印刷品（Prints）
尺寸	Plate: 5 15/16 × 9 3/8 英寸 (15.1 × 23.8 厘米) 页: 8 3/8 × 12 15/16 英寸 (21.3 × 32.8 厘米)
介绍（中）	西摩·哈登是一个不太可能的外科医生和蚀刻师的结合体。尽管他从事了非常成功的医疗事业，但人们对他印象最深的是他的蚀刻作品以及关于蚀刻的著作。他是包括詹姆斯·麦克尼尔·惠斯勒（1834–1903）和阿方斯·莱格罗斯（1837–1911）在内的一群艺术家之一，他们对这种媒介的热情导致了所谓的蚀刻复兴，这一时期一直持续到二十世纪。在这段时间里，对蚀刻固有的自发性的赞美达到了顶峰。哈登写道，虽然蚀刻针的线条"自由、富有表现力、充满活力"，但布里恩的线条"冷酷、受限、无趣"，"没有身份"。树干视图，中间留有一小块空白；空前景；左侧中间地面的高草 "State III。中心距离完全消除。" [来源：Schneiderman，第169页] "试算表：（a）仅显示树干，柳树向右投下阴影。'泰晤士·迪顿，西摩·哈登1864年。'科尔·H。"
介绍（英）	Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834–1903) and Alphonse Legros (1837–1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity." View of tree trunks with a small space left blank at center; empty foreground; high grass at left middle ground. "State III. The center distance completely removed." [Source: Schneiderman, p. 169 ] "Trial Proofs: (a) The tree stems are alone indicated, and the willows throw shadows towards the right. 'Thames Ditton, Seymour Haden 1864.' Coll. H." [Source: Harrington, p. 35]