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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)情人街1号
品名(英)The Lovers' Walk, No. 1
入馆年号1917年,17.3.328
策展部门绘画和印刷品Drawings and Prints
创作者Sir Francis Seymour Haden【1818 至 1910】【英国人】
创作年份公元 1864
创作地区
分类印刷品(Prints)
尺寸Plate: 5 15/16 × 9 3/8 英寸 (15.1 × 23.8 厘米) 页: 8 3/8 × 12 15/16 英寸 (21.3 × 32.8 厘米)
介绍(中)西摩·哈登是一个不太可能的外科医生和蚀刻师的结合体。尽管他从事了非常成功的医疗事业,但人们对他印象最深的是他的蚀刻作品以及关于蚀刻的著作。他是包括詹姆斯·麦克尼尔·惠斯勒(1834–1903)和阿方斯·莱格罗斯(1837–1911)在内的一群艺术家之一,他们对这种媒介的热情导致了所谓的蚀刻复兴,这一时期一直持续到二十世纪。在这段时间里,对蚀刻固有的自发性的赞美达到了顶峰。哈登写道,虽然蚀刻针的线条"自由、富有表现力、充满活力",但布里恩的线条"冷酷、受限、无趣","没有身份"。
树干视图,中间留有一小块空白;空前景;左侧中间地面的高草
"State III。中心距离完全消除。"
[来源:Schneiderman,第169页]
"试算表:(a)仅显示树干,柳树向右投下阴影。'泰晤士·迪顿,西摩·哈登1864年。'科尔·H。"
介绍(英)Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834–1903) and Alphonse Legros (1837–1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity."
View of tree trunks with a small space left blank at center; empty foreground; high grass at left middle ground.
"State III. The center distance completely removed."
[Source: Schneiderman, p. 169 ]
"Trial Proofs: (a) The tree stems are alone indicated, and the willows throw shadows towards the right. 'Thames Ditton, Seymour Haden 1864.' Coll. H."
[Source: Harrington, p. 35]
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。