教皇亚历山德罗七世去世后的教皇秘密会议，配有梵蒂冈城的肖像地图以及葬礼、游行和新教皇选举的场景 - 美国大都会艺术博物馆展品查阅

品名（中）	教皇亚历山德罗七世去世后的教皇秘密会议，配有梵蒂冈城的肖像地图以及葬礼、游行和新教皇选举的场景
品名（英）	Papal conclave following the death of Pope Alessandro VII, with an iconographic map of Vatican City and scenes of the funeral, procession, and election of the new pope
入馆年号	1941年，41.44.1681
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giovanni Giacomo De Rossi【1627 至 1691】【意大利人】
创作年份	公元 1667
创作地区
分类	印刷品（Prints）
尺寸	页 (Tri毫米ed): 9 3/8 × 13 13/16 英寸 (23.8 × 35.1 厘米)
介绍（中）	教皇去世时流传的秘会印刷品于16世纪开始出现在罗马。秘密会议印刷品的目的是揭示围绕新教皇选举的秘密和神秘仪式。精心划分的场景显示了葬礼仪式、梵蒂冈城地图和选举，包括投票红衣主教的名单；秘密会议印刷品在前往罗马的游客中流行起来这些印刷品被匆忙推向市场的时间，加上一成不变的仪式，意味着许多图像可以从一个秘密会议重复到下一个秘密。有关教皇克莱门特九世去世后秘密会议的类似印刷品，请参见：大英博物馆19870113.204。（信息来源：伊夫林·林肯，"德国秘密会议印刷品中的出版、保密和好奇"，印刷品2，第4号（2012年11月-12月）。
介绍（英）	Conclave prints, circulated at the death of a pope, began to appear in Rome in the 16th century. The purpose of a conclave print was to reveal the secret and mysterious ritual surrounding the election of a new pope. With carefully compartmented scenes showing the funerary rites, a map of Vatican City, and the election including a list of names of the voting cardinals; conclave prints became popular among tourists to Rome. The timeframe in which these prints were rushed to the market paired with the unchanging rituals meant that many of the images could be repeated from one conclave to the next. For a similar print illustrating the conclave following the death of Pope Clement IX, see: British Museum 1987,0113.204. (Information from: Evelyn Lincoln, "Publishing, Secrecy and Curiosity in a German Conclave Print," Art in Print 2, Number 4 (November-December, 2012).