微信公众号 
图码生活

每天发布有五花八门的文章,各种有趣的知识等,期待您的订阅与参与
搜索结果最多仅显示 10 条随机数据
结果缓存两分钟
如需更多更快搜索结果请访问小程序
美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
读取中
读取中
读取中
品名(中)Giovanni d‘avalos d‘Aragona的盘子,来自一系列十二位骑士和他们的随从穿着比赛的服装(盘子2)
品名(英)Plate for Giovanni d'avalos d'Aragona, from a series of twelve showing knights and their attendants dressed for a tournament (plate 2)
入馆年号1953年,53.601.153
策展部门绘画和印刷品Drawings and Prints
创作者Anonymous
创作年份公元 1565
创作地区
分类印刷品(Prints)
尺寸页: 6 1/8 × 21 15/16 英寸 (15.6 × 55.8 厘米)
介绍(中)这是一系列蚀刻版画,展示了1565年3月5日星期一在梵蒂冈丽城庭院举行的比赛中身着盛装的骑士,这是Annibale Altemps和Ortensia Borromeo结婚庆祝活动的一部分。最初有十二个系列,因为它们被列入1594年盖拉尔迪遗产的清单。1594年的库存还显示,它们是两张一张地印刷的(埃勒,1908年,第51页,第386-7行:"Dodici pezzi di livrea della festa della giostra di Belvedere,di due per foglio")。安东尼弗兰西斯科·切尔尼在1565年3月14日给科西莫·德·美第奇的一封信中详细描述了这场比赛(切尔尼,1898年)。Cirni的描述与指纹相匹配存在问题。最有可能的解释是,这些盘子是在事件实际发生之前准备好的,实际发生的事情与计划并不完全一致。例如Giovanni Orsini(图版8;53.601.158),根据Cirni的说法,应该是Pallavicino Rangone
切尔尼对这场精彩的肝脏展示发表了评论,他指出"杰出的小型画家唐·朱利奥·克洛维奥是其中许多肝脏的发明者"("di molte delle quali fu inventore l’eccelente miniatore don Giulio Clovio",切尔尼,1898年,第21页)。文学报道和视觉记录都见证了这一事件引起的巨大关注。谁对这套令人印象深刻的12块盘子负责还不清楚。盖拉尔迪(Gherardi)通过拉弗雷里的侄子克劳迪奥·杜切蒂(Claudio Duchetti)从安东尼奥·拉弗雷里(Antonio Lafreri)那里继承了他的大部分盘子。然而,在拉弗雷里1573年的库存清单中并没有明显的板块记录。这些车牌一定是后来被拉弗雷里或他的继任者获得的
(Michael Bury的节录文本,"意大利印刷1550-1620",BM 2001 cat.110;完整文本见目录)

MMA有2-12版。见53.601.153–163。
介绍(英)This is a series of etchings showing knights panoplied for the tournament held in the Belvedere courtyard of the Vatican on Monday 5 March 1565, as part of the celebrations for the marriage of Annibale Altemps and Ortensia Borromeo. Originally there were twelve in the series, for they are listed in the inventory of the Gherardi inheritance of 1594. The 1594 inventory also reveals that they were printed two to a sheet (Ehrle, 1908, p.51, lines 386-7: 'Dodici pezzi di livrea della festa della giostra di Belvedere, di due per foglio'). There is a detailed account of the tournament by Antonfrancesco Cirni, in the form of a letter to Cosimo de' Medici, dated 14 March 1565 (Cirni, 1898). There are problems matching Cirni's description with the prints. The most likely explanation is that the plates were prepared before the events actually took place and that what actually happened did not correspond precisely to what had been planned. For example Giovanni Orsini (plate 8; 53.601.158), according to Cirni should be Pallavicino Rangone.
The splendid show of liveries was commented on by Cirni, who noted that 'the excellent miniaturist don Giulio Clovio was the inventor of many of them' ('di molte delle quali fu inventore l'eccelente miniatore don Giulio Clovio', Cirni, 1898, p.21). The amount of attention that the event attracted, witnessed to by the literary accounts as well as by the visual records, was exceptional. Who was responsible for this impressive set of 12 plates is not clear. Gherardi, in whose 1594 inventory they are clearly listed, inherited the bulk of his plates from Antonio Lafreri, through Lafreri's nephew Claudio Duchetti. However there is no apparent record of the plates in Lafreri's stocklist of 1573. The plates must have been acquired later, either by Lafreri or by one of his successors.
(Abridged text from Michael Bury, 'The Print in Italy 1550-1620', BM 2001 cat.110; see catalogue for complete text)

MMA has plates 2-12. See 53.601.153–163.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。