Tivoli附近哈德良别墅入口的遗迹 - 美国大都会艺术博物馆展品查阅

品名（中）	Tivoli附近哈德良别墅入口的遗迹
品名（英）	Remains of the Entrance of Hadrian’s Villa near Tivoli
入馆年号	2015年，2015.742.4
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Luigi Basiletti【1780 至 1859】【意大利人】
创作年份	公元 1815 - 公元 1825
创作地区
分类	图画（Drawings）
尺寸	页: 13 1/8 × 17 3/4 英寸 (33.3 × 45.1 厘米)
介绍（中）	路易吉·巴西莱蒂（Luigi Basiletti），意大利著名画家和平面艺术家，出生于布雷西亚（伦巴第）市，专门研究风景和古董主题。1814年至1820年间，他在罗马期间成为安东尼奥·卡诺瓦的密友。这幅通风、如画的风景画以高超的技巧和轻盈的笔触绘制而成，是巴西莱蒂的特色作品。它描绘了左边远处的蒂沃利镇和周围的山丘，同时在前景中聚焦于一座巨大的毁灭性建筑，这座建筑似乎被改造成了一座农舍。它的建筑在中世纪及以后的层层重建之下，暴露了它的古罗马起源。在场景的右下角，一名农妇在一匹鞍马附近劳作。这张纸用钢笔和棕色墨水刻在场景下方："Vestigie del entrata dela villa Adriana presso Tivoli"。在构图中，这座巨大的毁灭性建筑用与图纸相同的深棕色墨水用铭文字母刻在塔上："SILITNEG ED"。这表明这幅画是为了研究印刷品，在这种情况下，印刷过程会将这一铭文颠倒过来，自然地读作"DE GENTILIS"。艺术家还用石墨勾勒出了这幅作品的轮廓。毫无疑问，进一步的研究将揭示一个相关的印刷品目前的作品可以追溯到1820年左右，当时艺术家绘制了蒂沃利和拉齐奥地区附近遗址的多幅视图。巴西莱蒂的许多作品吸引了当时在大巡回赛中经过意大利的外国人（Carmen C.Bambach；2016年2月22日）
介绍（英）	Luigi Basiletti, an accomplished Italian painter and graphic artist born in the city of Brescia (Lombardy), specialized in landscape views and antiquarian subjects. During his time in Rome, between 1814 and 1820, he became a close friend of Antonio Canova. Drawn with great skill and a light hand on the paper, this airy, picturesque landscape is a characteristic work by Basiletti. It depicts the town of Tivoli in the far distance at left and the surrounding hills, while focusing in the foreground upon a large ruinous building which seems to have been transformed into a farm house. Its architecture betrays its ancient Roman origins underneath layers of remodeling from the Middle Ages and later. At lower right in the scene, a peasant woman toils near a saddled horse. The sheet is inscribed below the scene in pen and brown ink: “Vestigie del entrata dela villa Adriana presso Tivoli.” Within the composition, the large ruinous building is inscribed on the tower in epigraphic letters in the same dark brown ink as the drawing: “SILITNEG ED.” This indicates that the drawing was intended as a study for a print, in which case the printing process would have reversed this inscription to read naturally as “DE GENTILIS.” The artist has also framed the composition with outlines in graphite. Further research will no doubt bring to light a related print. The present work dates to around 1820, when the artist produced a number of views of Tivoli and nearby sites in the Lazio region. Many of Basilettti’s works appealed to foreigners passing through Italy on the Grand Tour at the time. (Carmen C. Bambach; 22 February 2016)