用于“Atlas解剖”的钢板（未出版） - 美国大都会艺术博物馆展品查阅

品名（中）	用于“Atlas解剖”的钢板（未出版）
品名（英）	Plate for the ‘Atlas Anatomico’ (unpublished)
入馆年号	2016年，2016.685
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Crisóstomo Alejandrino José Martínez y Sorli【1638 至 1694】【西班牙人】
创作年份	公元 1680 - 公元 1694
创作地区
分类	印刷品（Prints）
尺寸	Plate: 27 1/16 × 20 5/8 英寸 (68.8 × 52.4 厘米) 页: 27 15/16 × 21 1/8 英寸 (70.9 × 53.6 厘米)
介绍（中）	一名成年男子的正面、侧面和背面视图，通过皮肤可见肌肉和骨骼结构。测量和比例用圆圈、线、刻度和参考数字表示。在右边，一个孩子的骨架以合适的尺寸和比例被描绘在正面视图中。整体被描绘在一张空白纸或一块板上，用错视法表示，并放置在一个底座上方，底座上添加了进一步的透视图，以帮助观众理解这些表现。在中央描绘了一个卡通图案，上面刻着"一个月经女神"。指南针和尺子上方45英尺该钢板是为所谓的"Atlas Anatomato"设计的，由Cristostomo Martinez y Sorli设计。正如他计划的那样，这本书包含了17世纪最权威的解剖版画。他的意图不是像之前的其他人那样只关注人体的构成，而是展示身体的各个部分是如何相互关联的，并使其发挥作用的。他使用最新的显微镜技术来研究单个骨骼和神经系统的组成，并将放大后看到的东西翻译成对开大小的铜板，这些铜板比以前在印刷品中看到的更详细马丁内斯于1680年代初在西班牙开始了这个项目，并于1687年搬到巴黎继续他的工作。1694年，他在九年战争期间流亡佛兰德斯去世，当时该项目尚未完全完成。这本书的铜板似乎被留在了巴黎，其中两块是1740年在那里作为一套印刷的。在此日期之后，没有关于他们下落的进一步记录。他的盘子的其他16个印记保存在巴伦西亚的档案中，这些是马丁内斯在巴黎期间寄回家的，作为他从西班牙王室获得养老金的补偿。
介绍（英）	Frontal, side and rear view of an adult man, depicted with a view of the muscular and bone structure visible through the skin. Measurements and proportions are indicated with circles, lines, scales and reference numbers. To the right, the skeleton of a child is depicted in frontal view with its proper measurements and proportions. The whole is depicted on a blank sheet or plate suggested in trompe-l’oeil and placed above a pedestal upon which further perspectival diagrams are added to help the viewer understand the representations. In the center a cartouche is depicted which contains the inscription ‘a mensural ista mensurabis Ezech. 45’ above a compass and a ruler. The plate was meant for the so-called 'Atlas Anatomico', by Crisostomo Martinez y Sorli. The book, as he had planned it, contained the most authoritative anatomical prints made during the seventeenth century. Instead of solely focusing on the makeup of the human body as others had done before him, his intention was to show how the parts of the body related to one another, and made it function. He used the latest technology in microscopic lenses to study the composition of individual bones and the nervous system and translated what he saw under magnification into folio-sized copperplates, which held more detail than had ever been seen in print before. Martinez started the project in Spain in the early 1680s, and moved to Paris in 1687 where he continued his work. The project was not net completed when he died in 1694 as an exile in Flanders during the Nine Years War. The copper plates for the book appear to have been left in Paris, and two were printed there as a set in 1740. After this date, there are no further records of their whereabouts. 16 other impressions of his plates are kept in the archives in Valencia, which were sent home by Martinez during his time in Paris as recompense for the pension he received from the Spanish crown.