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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)带两个桶和滑轮的金耳环设计
品名(英)Design for a Gold Earring with Two Buckets and Pulley
入馆年号1959年,59.564.77
策展部门绘画和印刷品Drawings and Prints
创作者Anonymous, French, 19th century【1800 至 1900】【法国人】
创作年份公元 1865 - 公元 1905
创作地区
分类图画(Drawings)
尺寸页: 9 5/16 × 6 1/4 英寸 (23.6 × 15.8 厘米)
介绍(中)带有两个水桶图案的金耳环设计绘图,这是 85 幅图画集合的一部分,其中包含耳环、胸针、吊坠和其他珠宝的具象设计,可能是真实的尺寸,用石墨和水粉制成,并在石版画框架内用金加高。这些设计都是 1870 年至 1900 年间的特征,当时珠宝设计在风格和技术上都看到了极大的创新和创造力。当时发生的一些最重要的创新包括在背面镶嵌不含金属的钻石,以加强光线在宝石切割表面上的折射,以及使用金颗粒和cannetille(金属条卷轴)创造精细的金属表面。(半)宝石在这个时候继续用于珠宝设计,特别是随着南非钻石矿的发现,尽管替代技术,其中许多灵感来自古代珠宝,也很常见:珐琅在其不同的应用技术(包括香槟、景泰蓝和低浮雕)中特别受欢迎。除珐琅外,彩色玻璃还用于为构成珠宝底座的金属结构增添色彩。总的来说,这一时期的珠宝设计变得更加复杂,自然界的颜色被用于珠宝设计的宝石的颜色所模仿:设计精心设计,依赖于凸圆形宝石的自然美,弯曲和具有象征意义的比喻设计,典型的工艺美术运动。到十九世纪末,新艺术运动创造了蜿蜒而有机的作品,摆脱了传统的石头,并强调玻璃,角和珐琅等材料的微妙效果。欧洲中世纪和文艺复兴时期,以及地中海文明,甚至日本,都成为当时珠宝设计的重要灵感来源。

这种金色耳环的设计由一个金色球体组成,底部两侧是一条灰色珐琅垂直条,上面有一个金色滑轮,上面悬挂着两个水桶图案,由金绳固定。水桶图案由黄金制成,装饰有灰色珐琅的水平条纹,手柄上涂有灰色珐琅,模仿木制水桶。这幅画位于红色墨水石版画框架内的黑色水粉背景上。一张带有首字母"J. B"的红色墨水石版画会标放置在纸张的右上角。
介绍(英)Drawing with a design for a gold earring with two water bucket motifs that is part of a collection of 85 drawings with figurative designs for earrings, brooches, pendants and other jewels, possibly real-sized, created with graphite and gouache and heightened with gold inside lithograph frames. These designs are all characteristic of the period between 1870 and 1900, when jewelry design saw a great degree of innovation and creativity in both style and technique. Some of the most important innovations that took place at this time included the setting of diamonds without metal on the back to reinforce the refraction of light on the cut surfaces of the stones, and the use of gold granules and cannetille (scrolls of metal strips) in the creation of fine metal surfaces. (Semi-)precious stones continued to be used in jewelry design at this time, especially with the discovery of diamond mines in South Africa, although alternative techniques, many of them inspired on ancient jewelry, were also common: Enamel in its different application techniques (including champlevé, cloisonné, and low-relief) was particularly popular. In addition to enamel, colored glass was used to add touches of color to the metallic structures that formed the base of the jewels. In general, jewelry design during this period became more complex, and the colors in nature were mimicked by the color of gemstones used for jewelry design: the designs were elaborate and relied in the natural beauty of cabochon gems, curving, and figurative designs with symbolic meaning, typical of the Arts and Crafts movement. Towards the end of the nineteenth century, the Art Nouveau movement created sinuous and organic pieces that moved away from conventional stones and put emphasis on the subtle effects of materials such as glass, horn and enamel. The European Middle Ages and the Renaissance, as well as civilizations of the Mediterranean, and even Japan, became important sources of inspiration for jewelry design at this time.

This design for a gold earring is made up of a gold sphere flanked on the bottom by a gray enamel verical strip that holds a gold pulley from which two water bucket motifs hang, held by a gold rope. The water bucket motifs are made of gold and decorated with horizontal stripes of gray enamel, and have handles colored with gray enamel, imitating wooden water buckets. The drawing lies over a black gouache background inside a red ink lithograph frame. A red ink lithograph monogram with the initials "J. B" is placed on the upper right corner of the sheet.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。