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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)椅子后盖的设计,带有椭圆形的装饰框架,其中有一个跪着的女人和一个俏皮的推杆,周围环绕着树叶和花朵的花环,在更大的装饰框架内滚动着金合欢叶
品名(英)Design for a Chair Back Cover with an Oval-Shaped Ornamental Frame with a Kneeling Woman and a Playful Putto Surrounded by Garlands of Leaves and Flowers and Scrolling Acanthus Leaves Inside a Larger Ornamental Frame
入馆年号1949年,49.50.184(a)
策展部门绘画和印刷品Drawings and Prints
创作者Anonymous, French, 19th century【1800 至 1900】【法国人】
创作年份公元 1870 - 公元 1900
创作地区
分类图画(Drawings)
尺寸页: 15 1/16 × 9 7/16 英寸 (38.3 × 24 厘米)
介绍(中)19世纪下半叶的一张长方形纸,设计用于椅子后盖,灵感来自路易十六的风格,是1850年代以来法国和英国新古典复兴运动的一部分,希腊、意大利和埃及的考古发现推动了人们对古罗马、15世纪和16世纪艺术和建筑的兴趣。通过这种风格,古典和文艺复兴时期的艺术和设计作品以各种形式和主题重新诠释,古典人物、滚动装饰、系带、怪诞和习俗成为设计的核心元素。这场复兴的特点是使用了暗指古典古董的设计主题,包括具有田园风格的花瓶和奖杯、古典人物和客串、真实和梦幻人物的混合,以及招摇和花彩。这些花环和花彩包括织物和缎带组成的花环,以及用粉彩上色的花和外壳组成的细束和花环。这种设计的比例显然不真实,而且这张图是为一本家具商的样本书绘制的,作为多种不同风格之一展示给客户
这个设计由一个椭圆形的装饰框架和一个跪着的女人组成,装饰框架用黄色色调渲染,以模拟蓝色背景下的金色饰面,她的下半身部分被织物覆盖,织物在她的背部和头部上方流动,被一个顽皮的带翅膀的推杆逗弄,两种颜色都用较浅的蓝色色调。椭圆形框架悬挂在一个更大、更薄的装饰框架上,边缘为方形,与椅背的形状一致。这个较大的帧也被渲染以模拟金色的表面;背景在框架的内侧是奶油色的,外侧是浅灰色的
该设计与类似的座椅座套(49.50.184(b))放在同一张纸上,可能是同一把椅子的一部分。
介绍(英)Rectangular sheet of paper with a design for a chair back cover from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classical Antiquity, including vases and trophies with pastoral attributes, classical figures and cameos, a mixture of real and fantastic figures, and swags and festoons. These swags and festoons comprised garlands of fabric and ribbon, as well as thin bundles and garlands of flowers and husks colored with pastels. The scale of this design is clearly not true to life and it is not unlikely that this drawing was made for a sample book of an upholsterer, to be shown to the customer as one of many different styles to choose from.
This design is made up of an oval-shaped ornamental frame rendered with shades of yellow to simulate a golden finish with a blue background and a kneeling woman, her lower body partly covered by a textile that flows above her back and head, being teased by a playful winged putto, both colored with a lighter shade of blue. Surrounded by garlands of green leaves and flowers colored with yellow, orange and shades of pink, as well as scrolling acanthus leaves colored with shades of pink and purple, the oval-shaped frame hangs from a larger, thinner ornamental frame, with square edges, that follows the shape of the chair back. This larger frame is also rendered to simulate a golden finish; the background is colored with cream on the inside of the frame, and with light gray on the outside.
The design is placed on the same paper as a similar chair seat cover (49.50.184(b)), possibly meant to be part of the same chair as this.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。