古兰经的伟大胜利 - 美国大都会艺术博物馆展品查阅

品名（中）	古兰经的伟大胜利
品名（英）	The Great Victory of Qurnam
入馆年号	1945年，45.100.8
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Augustin de Saint-Aubin【1736 至 1807】【法国人】
创作年份	公元 1770
创作地区
分类	印刷品（Prints）
尺寸	页: 39 5/8 × 25 13/16 英寸 (100.7 × 65.5 厘米) Plate: 37 1/16 × 22 11/16 英寸 (94.1 × 57.7 厘米)
介绍（中）	显示的事件是1759年的古尔南战役，在这场战役中，清朝军队在乾隆皇帝的东突厥斯坦战役结束时击败了敌人《古兰经大捷》是乾隆皇帝于1765年委托制作的十六部作品中的一部，以纪念满族（1755-59）在今新疆地区战胜鄂鲁特人、准噶尔人和其他中亚民族。这些版画是在查尔斯·尼古拉斯·科钦（1715-1790）的指导下制作的，沿用了在北京工作的耶稣会艺术家的缩小比例的绘画复制品，于1767年至1774年在法国由路易十五宫廷最优秀的版画家蚀刻和雕刻。广州（今广州）的华商支付了将铜板和200套版画运到中国的费用，巴黎只保留了几套这些版画体现了清画院培养的东西方具象风格的融合。欧洲的明暗对照技术——通过使用光线和阴影来塑造形状——已经明显地得到了调和，单点透视的使用也是如此。相反，这些场景呈现出全景和强烈向上倾斜的地平面。然而，与此同时，它们反映了欧洲人对解剖准确性、单一光源以及数学上正确的缩小规模的偏好，以制造衰退的假象。
介绍（英）	The event shown is the 1759 battle of Qurnam in which Qing troops defeat the enemy at the end of the Qianlong Emperor’s East Turkestan campaign. Part of a set of sixteen, "The Great Victory of Qurnam" was commissioned by the Qianlong Emperor in 1765 to commemorate Manchu victories (1755-59) over the Eleuths, the Dzungars, and other Central Asian peoples in the present-day region of Xinjiang. Made under the direction of Charles-Nicolas Cochin (1715-1790), the prints, which follow reduced-scale copies of paintings by Jesuit artists working in Beijing, were etched and engraved in France from 1767 to 1774 by the finest printmakers at the court of Louis XV. The Chinese merchants of Canton (present-day Guangzhou) paid for the copper plates and two hundred sets of prints to be delivered to China, with only a few sets retained in Paris. The prints exemplify the fusion of Eastern and Western representational styles fostered within the Qing imperial painting academy. The European technique of chiaroscuro-the modeling of forms through the use of light and shading-has been visibly tempered, as has the use of one-point perspective. Instead, the scenes present panoramic views and strongly up-tilt ground planes. At the same time, howevery, they reflect European preferences for anatomical accuracy, a single light source, and the mathematically correct reduction of scale to create the illusion of recession.