Geometria et Perspectiva的封面 - 美国大都会艺术博物馆展品查阅

品名（中）	Geometria et Perspectiva的封面
品名（英）	Cover Page from Geometria et Perspectiva
入馆年号	1984年，1984.1085.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Lorenz Stoer【1530 至 1621】【德国人】
创作年份	公元 1567
创作地区
分类	书（Books）
尺寸	页: 9 13/16 × 7 5/8 英寸 (24.9 × 19.4 厘米)
介绍（中）	对透视和几何的迷恋在洛伦茨·斯托尔设计的这个印刷系列中达到了顶峰。除了标题页，这幅作品没有文字，但以废墟和系带建筑中的多面体构成的奇幻景观为特色。标题页解释了这些令人费解的图像：据说它们对从事木材镶嵌或镶嵌领域的艺术家很有用。在整个十五和十六世纪，在意大利流行用镶嵌法绘制透视图像的艺术，德国南部也采用了这种艺术。十六世纪后期的几件橱柜上都有斯托尔版画风格的装饰，其中一件可以在博物馆自己的藏品中找到（见48.59.2）。这种图像的意义在多大程度上被赋予，或者它们是否被简单地认为是装饰图案，目前尚不清楚请参阅1984.1085.1–.13了解装订卷中的其他页面。本页，上下分块剪裁。
介绍（英）	The fascination with perspective and geometry culminates in this print series designed by Lorenz Stoer. Aside from the title page, the work is devoid of text but features illustrations of fantastical landscapes populated by polyhedrons amid ruins and strapwork constructions. The title page explains the puzzling images: they are said to be useful to artists working in the field of wood inlay, or marquetry. The art of rendering perspectival imagery in marquetry was popular in Italy throughout the fifteenth and sixteenth centuries and was adopted in southern Germany as well. Several cabinets from the later sixteenth century with decorations in the style of Stoer’s prints are known, one of which can be found in the Museum’s own collection (see 48.59.2). The extent to which meaning was ascribed to this kind of imagery, or whether they were thought of simply as decorative patterns, is unclear. See 1984.1085.1–.13 for additional pages in the bound volume. This page, block trimmed at top and bottom.