沉浸在月光中 - 美国大都会艺术博物馆展品查阅

品名（中）	沉浸在月光中
品名（英）	Drenched in Moonlight
入馆年号	2005年，2005.510.1
策展部门	亚洲艺术（Asian Art）
创作者	Tong Yu【1721 至 1782】【中国人】
创作年份	公元 1721 - 公元 1799
创作地区
分类	绘画（Paintings）
尺寸	图像: 49 5/8 x 11 3/4 英寸 (126 x 29.8 厘米)
介绍（中）	自从宋朝诗人林布（967–1028）首次庆祝家乡杭州（浙江省）的李子盛开以来，李子一直是该地区艺术家的一个特殊主题。来自附近绍兴的童玉遵循了当地居民王勉（1287-1359）建立的传统一朵盛开的李子的枝条为这首作品注入了活力。通常，既没有描绘树干，也没有描绘地平面；相反，艺术家将重点放在两个向相反方向弯曲的坚固树枝的动态对位上。月亮和花朵在未经处理的普通纸上格外显眼，在淡淡的夜空中保留着童玉也是一位颇有成就的书法家。他在这幅画上的题词结合了隶书和草书，他的两个专长发挥了将对比鲜明的字体类型并置的美学作用：困在月光下云海消散；降雪后天气开始转晴<无数的山谷，在寂静的寒意中，保持着冰冻和沉默只有孤山月光下的梅花[在杭州西湖] 随意分叉，不在乎时间的流逝（刘石烨翻译）
介绍（英）	Since the Song poet Lin Bu (967–1028) first celebrated the blossoming plums of his native Hangzhou (in Zhejiang province), plums have been a special subject for artists from that region. Tong Yu, from nearby Shaoxing, followed the local tradition established by his townsman Wang Mian (1287–1359). The thrusting limbs of a blossoming plum energize this composition. Typically, neither tree trunk nor ground plane is depicted; instead the artist focuses on the dynamic counterpoint of two sturdy branches that curve in opposite directions. The moon and the flowers stand out in uninked plain paper, left in reserve against the lightly tinted night sky. Tong Yu was also an accomplished calligrapher. His inscription on this painting, which combines clerical and cursive scripts—his two specialties—plays on the aesthetic of juxtaposing contrasting script types: Drenched in Moonlight The ocean of clouds disperses; after the snowfall it begins to clear. The myriad valleys, in silent chill, remain frozen and muted. Only the plum trees in the moonlight on Mount Gu [in West Lake, Hangzhou] Branch out at will, unconcerned with the passage of time. (trans. by Shi-yee Liu)