Hollands Hollende Koe（荷兰的奶牛） - 美国大都会艺术博物馆展品查阅

品名（中）	Hollands Hollende Koe（荷兰的奶牛）
品名（英）	Hollands Hollende Koe (Holland’s Running Cow)
入馆年号	2016年，2016.388
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Gaspar Bouttats【1648 至 1695】【荷兰人】
创作年份	公元 1690
创作地区
分类	印刷品（Prints）
尺寸	页: 22 1/16 × 16 9/16 英寸 (56 × 42.1 厘米) Plate: 14 15/16 × 15 11/16 英寸 (37.9 × 39.9 厘米) [uneven edges]
介绍（中）	宽边包括一幅用蚀刻板印刷的大型插图，以及下面三列的活版印刷文本，对上面描述的场景进行了评论。印刷品的主题是波特兰伯爵汉斯·威廉·本蒂克返回荷兰。Bentinck是stadtholder Willem的朋友和盟友，他希望在担任英国国王的新角色中获得赞助人的支持。荷兰人最初反对这一政治发展，并对他们的统治者采取君主制立场感到不满。他们还担心英国人和德国人会不惜一切代价"榨取"荷兰共和国。这些担忧被转化为一个混乱的场景，显示Bentinck冲到一头蒙着眼睛奔跑的奶牛的背上，这头奶牛正在被英国人和德国人挤奶。图片下方的文字包含印刷品中描述的所有细节的完整描述据了解，只有几本宽边版幸存下来。这是印刷史上一个有趣的对象，它同时对17世纪荷兰的事件进行了评论，同时也对罗梅恩·德·胡格（Romeyn de Hooghe）的政治印刷品的当代品味进行了评论。这幅版画经常被归因于他，声称作者的名字"Bousche"是艺术家的笔名，但蚀刻的风格表明，这是由追随者而不是大师本人创作的。
介绍（英）	Broadside consisting of a large illustration printed from an etching plate, and a text in letterpress in three columns below, which comments on the scene depicted above. The subject of the print is the return of Hans Willem Bentick, Earl of Portland to the Netherlands. Bentinck was the friend and ally of stadtholder Willem and hoped to gain support for his patron in his new role as king of England. The Dutch initially opposed this political development and resented the fact that their stadtholder had taken on a monarchical position. They were also afraid that the English and Germans would try to 'milk' the Dutch Republic for all it was worth. These concerns are translated into a chaotic scene showing Bentinck charging in on the back of a running, blindfolded cow, which is being milked by the English and the Germans. The text below the image contains a full description of all the details depicted in the print. Only several copies of this broadside are known to have survived. It is a curious object of print history which simultaneously offers a commentary of events in 17th-century Holland, but also on the contemporary taste for political prints by Romeyn de Hooghe. This print is often attributed to him, claiming that the author’s name ‘Bousche’ is a pseudonym for the artist, but the style of the etching suggests that it is by a follower rather than the master himself.