微信公众号 
图码生活

每天发布有五花八门的文章,各种有趣的知识等,期待您的订阅与参与
搜索结果最多仅显示 10 条随机数据
结果缓存两分钟
如需更多更快搜索结果请访问小程序
美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
读取中
读取中
读取中
品名(中)马奇洛克麝香(me mda'
品名(英)Matchlock Musket (me mda')
入馆年号2017年,2017.282
策展部门武器和盔甲Arms and Armor
创作者
创作年份公元 1675 - 公元 1950
创作地区原产国: 中国西藏(Country of Origin: Tibet, China)
分类火器枪炮火柴锁(Firearms-Guns-Matchlock)
尺寸长 64 1/8 英寸 (162.9 厘米); 长 of barrel 42 3/8 英寸 (107.6 厘米); Cal. 0.56 英寸 (14.2 毫米)
介绍(中)火柴火枪最早在16世纪或17世纪传入西藏,可能是通过中国和印度或其他贸易路线或外交接触传入的。尽管到19世纪末,西藏已经知道了技术更先进的火器,但火柴锁一直被定期使用到20世纪。大多数藏式火柴锁都是普通的、功能齐全的狩猎武器,几乎没有或根本没有装饰(见36.25.2173和36.25.2174)。还有一些罕见的藏式火器,通过它们的装饰可以确定为还愿或仪式物品(见2001.34和2005.143)。本例所属的第三大类藏式火器包括不同装饰程度的火枪,但是功能齐全并且打算长期使用。19世纪末20世纪初西藏生产的世俗和宗教银器,在风格、技术和设计方面,其底座上的浮雕银饰的工艺有很多相似之处。这种类型的装饰步枪是由参加节日、仪式或由级别人员的警卫携带的。骑马射箭和用火枪打靶是一场名为"堡垒后面的加洛普"的仪式的重点,这是在西藏首都拉萨举行的为期一个月的一年一度的新年节日的最后一场活动。至少在20世纪40年代末之前,所有西藏非专业官员都接受了这些技能的测试,同一时期每年都会举行其他涉及步枪的射击比赛。在任何这些活动中,都可能使用或展示过像这样精心装饰的火枪

普通的深色木材配有几个低浮雕的银色牌匾,这些牌匾采用大胆的对称设计,中央花朵镶嵌在树叶卷轴中。未经装饰的枪管截面为圆形,表面有螺旋形标记,表明它是用锤焊接的,采用了扭转锻造技术。斜切的枪口稍微张开,有一个简单的黄铜或铜珠瞄准器。臀部底部有一个窥视镜。底锅从后膛右侧的接触孔下方伸出。枪管用多根银丝绑在枪托的三个地方。装饰性饰板用银钉固定在枪托上,分布在全长林丘的侧面和下侧,锁区的侧面、顶部和下侧,枪托的脚跟和脚趾处,并包裹在枪托底部,枪托底部配有一个简单的喇叭枪托帽。超长的两脚架滑膛枪支架由一个螺钉连接,螺钉横向穿过角块,角块是靠近林丘中点的一个稍微加宽并呈方形的区域。其余部分的每一个尖头由两部分组成,长度大致相等:一根笔直的上部木轴连接到角的下部,角稍微向尖端弯曲。在木制和喇叭形部分的交汇处,有一个银色项圈,上面装饰着三条装饰带。一个刻有花卉图案的银色标签从衣领沿着每个喇叭上三分之一的一侧延伸。喇叭块下面的银色牌匾上装饰着许愿珠宝图案,镶嵌在树叶滚动的作品中。铁制火柴架,或称蛇形火柴架,从枪管后膛后面的银制牌匾上的一个插槽中突出。扳机呈一个短铁环的形式,从枪托下侧银饰板上的一个插槽中突出。一个扁平而狭窄的织物袋,用于存放未使用的火柴绳,连接在烟蒂的外侧。袋子正面是红色羊毛的残留物,边缘有多色人字形装饰和绒毛滚边。它在袋子的主体上有九个浮雕的银色玫瑰花结,在盖片上有四个。一块由类似材料制成的椭圆形贴片贴在枪托内侧,紧挨着后膛,并由一条皮革带固定在后膛和底火盘顶部。一条皮革肩带,或称吊带,系在森林的下面。冲压杆不见了。
介绍(英)Matchlock muskets were first introduced into Tibet during the 16th or 17th century, probably via China and India or through other trade routes or diplomatic contacts. Although more technologically advanced forms of firearms were known in Tibet by the late 19th century, matchlocks continued to be used regularly well into the 20th century. Most Tibetan matchlocks are plain, functional hunting weapons, with little or no ornament (see 36.25.2173 and 36.25.2174). There are a few rare Tibetan firearms that, by their decoration, can be identified as votive or ritual objects (see 2001.34 and 2005.143). The third broad category of Tibetan firearms, to which this example belongs, comprises muskets with varying degrees of decoration, but fully functional and intended for secular use. The workmanship of the embossed silver plaques covering its stock has many parallels, in terms of style, technique, and design, in secular and religious silver objects produced in Tibet in the late 19th and early 20th century. Decorated muskets of this type were carried by individuals taking part in festivals, on ceremonial occasions, or by the guards of persons of rank. Horseback archery and target shooting with muskets were the focus of a ceremony called "The Gallop behind the Fort," which was the last event of the annual month-long New Year Festival held in the Tibetan capital, Lhasa. All Tibetan lay officials were tested in these skills until at least the late 1940s, and other shooting contests involving muskets were held annually during the same period. In any of these events, elaborately decorated muskets like this may have been used or displayed.

The plain stock of dark wood is fitted with several silver plaques embossed in low relief with bold symmetrical designs featuring central blossoms set among arrangements of leafy scrollwork. The undecorated barrel is round in section, with spiral marks on its surface indicating that it was hammer welded in a twist-forged technique. The chamfered muzzle flares out slightly and has a simple bead sight of brass or copper. There is a peep sight at the base of the breech. The priming pan extends out from beneath the touchhole at the right side of the breech. The barrel is lashed to the stock in three places with multiple strands of silver wire. The ornamental plaques are attached to the stock by silver nails and are found on the sides and underside of the full-length forestock, on the sides, top, and underside of the lock area, at the heel and toe of the butt, and wrapping around the base of the butt, which is fitted with a simple horn butt cap. The exceptionally long bipod musket rest is attached by a screw that passes transversely through the horn block, a slightly widened and squared off area near the midpoint of the forestock. Each prong of the rest consists of two sections of about equal length: a straight upper shaft of wood joined to a lower section of horn, the horn curving slightly towards the tip. Where the wood and horn sections meet there is a silver collar decorated with three bands of ornament. A silver tab, engraved with floral designs, extends from the collar along one side of the upper third of each horn. The silver plaque on the underside of the horn block is decorated with a Wish-Granting Jewel motif set among leafy scrollwork. The iron match-holder, or serpentine, protrudes from a slot in the silver plaque behind the breech of the barrel. The trigger, in the form of a short iron loop, protrudes from a slot in the silver plaque on the underside of the stock. A flat and narrow textile pouch, for storing unused match cord, is attached to the outer side of the butt. The pouch is faced with the remains of red wool, edged with multicolor herringbone trim and shagreen piping. It has nine embossed silver rosettes on the body of the pouch and four on its cover flap. An oval patch made of similar materials is attached to the inner side of the stock next to the breech and is secured by a leather strap over top of the breech and priming pan. A leather shoulder strap, or sling, is attached to the underside of the forestock. The ramrod is missing.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。