老虎、虎妞和小熊 - 美国大都会艺术博物馆展品查阅

品名（中）	老虎、虎妞和小熊
品名（英）	Tiger, Tigress and Cub
入馆年号	2018年，2018.283.1, .2
策展部门	亚洲艺术（Asian Art）
创作者	Kishi Chikudō【1826 至 1897】【日本人】
创作年份	公元 1892
创作地区
分类	绘画（Paintings）
尺寸	整体 (each): 68 1/8 英寸 × 14 ft. 2 3/4 英寸 (173 × 433.7 厘米)
介绍（中）	一只富丽堂皇的斜躺母老虎哺育着她的幼崽，而一只成年雄虎——可能是她的配偶——站在狭窄的山涧旁准备喝水，嘴巴张开发出咆哮。虽然风景只是用水墨单色渲染的，但老虎厚实的皮毛和蜿蜒的肌肉被详细地描绘出来，它们的外套上的水洗和周围的黄色丝绸背景营造出阳光的印象。京都岸学派的第四代校长筑道提倡从生活中写生的做法，并且可能从 1860 年代后期开始看到活虎。与学校的创始人甘库一样，他以一丝不苟的老虎画而闻名，其中一幅在 1893 年的芝加哥世界博览会上展出。这位艺术家和他的几位江户晚期和明治时期同时代人积极建立一种绘画风格，将传统的日本绘画与西方现实主义和透视元素融为一体。
介绍（英）	A regal, reclining tigress nurses her cub, while an adult male tiger—possibly her mate—stands poised to drink at a narrow mountain stream, his mouth open in a snarl. Although the landscape is rendered simply in ink monochrome, the thick fur and sinuous muscularity of the tigers are painted in detail, with the color wash on their coats and the yellow silk background around them creating the impression of sunlight. Chikudō, the fourth-generation head of the Kyoto-based Kishi school, advocated the practice of sketching from life and could have seen live tigers starting in the late 1860s. Like the founder of the school, Ganku, he became famous for his meticulous tiger paintings, one of which was exhibited at the Chicago World’s Fair in 1893. The artist and several of his late Edo- and Meiji-period contemporaries were active in establishing a painting style that blended traditional Japanese painting with elements of Western realism and perspective.