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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)神圣的亲属关系
品名(英)The Holy Kinship
入馆年号2018年,2018.119
策展部门绘画和印刷品Drawings and Prints
创作者Master of the Drapery Studies【1470 至 1500】【德国人】
创作年份公元 1475 - 公元 1485
创作地区
分类图画(Drawings)
尺寸页: 9 1/2 × 14 13/16 英寸 (24.2 × 37.6 厘米)
介绍(中)这幅画长期记录在文献中,并归因于阿尔萨斯或莱茵大师的各种归属,被认为是弗里德里希·温克勒(Friedrich Winkler)于1930年(Friedrich Winkler)的窗帘研究大师,并由迈克尔·罗斯(Michael Roth)在1988年关于大师的论文中得到证实。这幅精致但执行有力的画作是帷幔研究大师在其职业生涯初期的典型作品,与班德罗尔大师(荷兰,活跃于 1450-约 1475 年)于 1450/75 年创作的雕刻神圣家族的构图相呼应。
这幅画展示了神圣的亲属关系,它源于中世纪晚期的传说,创造了三位一体理论,或安妮的三段婚姻。该理论被纳入伪马太的后期文本中,并在雅各布斯·德·沃拉金(Jacobus de Voragine)的圣徒传记集《黄金传奇》(约1260年)中重复出现,并通过这些方式在中世纪后期作为安妮生活故事的一部分广为人知并被广泛接受。根据三位一体,约阿希姆一定是在圣母玛利亚出生后不久就去世了,这样安妮就可以嫁给第二任名叫克利奥法斯的丈夫,她生下了玛丽·克利奥法斯(原名玛丽·贾博比,如图所示),以及第三任丈夫莎乐美,她生下了玛丽·莎乐美。理论继续说,从这三个女儿那里,耶稣和福音书中提到的所有六个"兄弟"或堂兄弟。小雅各、约瑟夫、西门和犹大被解释为与阿尔菲斯结婚的马利亚克利奥法的儿子;大雅各和福音传道者约翰,作为嫁给西庇太的玛丽莎乐美的儿子。因此,安妮成为一些最杰出的使徒的祖母,以及耶稣本人。




瑪利亞和她的母親安妮與嬰兒耶穌在左邊的前景中。安妮身后是她的三个丈夫,在圣母身后的是约瑟夫,还有安妮的妹妹埃斯梅里亚,她是伊丽莎白的母亲,她生了施洗约翰。他们也依偎在约瑟夫身后。最粗略勾勒的是图纸的中心部分。只需几笔,就能看到西蒙、犹大、小雅各和约瑟夫,他们是玛丽亚·克利奥法斯、西庇底厄斯、福音传教士约翰和少校雅各的儿子。在中央组上方,后来由另一只手添加的是玛丽·克利奥法斯的丈夫阿尔菲斯和施洗约翰的兄弟埃利乌德(他们是后来与另一个尚未确定的男人和女人一起添加的,也没有出现在印刷模型中)。玛丽亚·莎乐美上方是塞尔瓦里乌斯的母亲,她大概是埃利乌德的孙子塞尔法提乌斯,她没有名字,但后来的铭文注明"埃敏",根据黄金传说,塞尔法修斯的父亲是阿姆。帷幔研究大师在场景的前景中炫耀他对帷幔坠落的喜悦。







"Maria Jacobi"上方的一组人物是由稍晚的手用深色墨水完成的,后来的手在图画顶部边缘的另外两组上方也发现了铭文(尚未破译)。似乎散落在各处的一些字母是由后来的同一手添加的。该图不包括版画上的木版铭文,该铭文取自《黄金传奇》。
介绍(英)This drawing, long recorded in the literature with various attributions to Alsatian or Rhenish masters, was attributed to the Master of the Drapery Studies by Friedrich Winkler in 1930 and confirmed by Michael Roth in his dissertation on the master in 1988. Typical for the Master of the Drapery Studies’ work at the beginning of his career, this delicate but vigorously executed drawing echoes the composition of an engraved Holy Family made in ca. 1450/75 by the Master of the Banderoles (Netherlandish, active ca. 1450-ca. 1475).
This drawing shows the Holy Kinship which grew out of late medieval legend that created the theory of the trinubium, or the three marriages of Anne. The theory was incorporated into the later texts of Pseudo-Matthew and repeated in Jacobus de Voragine’s collection of hagiographies the Golden Legend (ca. 1260) and by those means became generally known and widely accepted in the later Middle Ages as part of Anne’s life story. According to the trinubium, Joachim must have died soon after the birth of the Virgin Mary, so that Anne could marry a second husband named Cleophas, by whom she bore Mary Cleophas (formerly called Mary Jaboby as shown in the drawing), and a third husband named Salome, by whom she bore Mary Salome. From these three daughters, the theory continued, came Jesus and all six "brothers" or cousins named in the Gospels. James the lesser or younger, Joseph, Simon, and Jude were explained as the sons of Mary Cleophas, who had married Alpheus; James the Greater and John the Evangelist, as the sons of Mary Salome, who had married Zebedee. Thus Anne became the grandmother of some of the most prominent apostles, as well as Jesus himself.




Mary and her mother Anne are in the left foreground with the infant Jesus. Behind Anne are her three husbands, and next to them behind the Virgin is Joseph, and Anne’s sister, Esmeria, who is the mother of Elizabeth who bore John the Baptist. They are also shown nestled behind Joseph. Most sketchily outlined is the central portion of the drawing. Seen with just a few quick strokes is Simon, Judas, Jacob the Minor and Joseph the sons of Maria Cleophas, Zebedeus, John the Evangelist and Jacob the Major. Above the central group and added by a later hand are Alpheus, Mary Cleophas’ husband, and Eliud, the brother of John the Baptist (they are added later along with another man and woman who have yet to be identified and also do not appear in the printed model). Above Maria Salome are the mother of Servarius who is presumably Servatius the grandson of Eliud, she is not named but a later inscription notes "Emin" and Servatius’ father according to the Golden Legend is Eminem. The Master of the Drapery Studies shows off his delights in the fall of drapery in the foreground of the scene.







The group of figures above "Maria Jacobi" are done by a slightly later hand in darker ink, inscriptions (as yet not deciphered) by a later hand are also found above two other groupings along the top edge of the drawing. It also appears that some of the letters scattered throughout were added by the same later hand. The drawing does not include the xylographic inscription on the print which is takes from the Golden Legend.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。