“蓝绿色鱼鳞” - 美国大都会艺术博物馆展品查阅

品名（中）	“蓝绿色鱼鳞”
品名（英）	“Bluish-Green Fish Scales”
入馆年号	2015年，2015.500.9.52
策展部门	亚洲艺术（Asian Art）
创作者	Kano Tan'yū【1602 至 1674】【日本人】
创作年份	公元 1634 - 公元 1666
创作地区
分类	书法（Calligraphy）
尺寸	图像: 44 1/2 × 10 5/8 英寸 (113 × 27 厘米) 整体 with mounting: 73 × 11 3/8 英寸 (185.4 × 28.9 厘米)
介绍（中）	Tan'yú是17世纪初至17世纪中期卡诺画派的衣钵继承人，因此，看到一对大胆题写的超大汉字与他的艺名签名，让人感到惊讶。然而，这位著名艺术家的几幅作品仍然以所谓的Daishi rý风格书写，该风格以日本佛教新教创始人高僧Kōbō; Daishi的名字命名。据说，大士有时会练习一种非常活跃和富有表现力的书法形式，这种书法在江户时期的禅宗僧侣和文人中非常流行。这里的两个字符读作"Hekirin"，字面意思是鲣鱼等鱼类的"蓝绿色鳞片"。然而，在这种情况下，它可能来自宋朝诗人苏诗的一首诗（Huái shàng zлo fā淮上早發) 把西湖上的水波比作发光的蓝绿色鱼鳞。
介绍（英）	Tan’yū is best known as the heir to the mantle of the Kano school of painters in the early seventeenth to mid-seventeenth century, so it comes as a surprise to see a boldly inscribed pair of oversize Chinese characters signed with his art name. Yet several works by the famous artist survive written in the so-called Daishi-ryū style of calligraphy, named after the monk Kōbō Daishi, the founder of Shingon sect of Buddhism in Japan. Kōbō Daishi is said to have sometimes practiced a highly exuberant and expressive form of calligraphy, which became immensely popular among Zen monks and literati in the Edo period. Here the two characters read “Hekirin,” literally, the “bluish-green scales” of a fish such as bonito tuna. In this case, however, it may be drawn from a verse of the Song poet Su Shi who wrote a poem (Huái shàng zǎo fā淮上早發) likening the rippling of waves on West Lake to luminescent bluish-green fish scales.