梅树上的灌木莺 - 美国大都会艺术博物馆展品查阅

品名（中）	梅树上的灌木莺
品名（英）	Bush Warbler (Uguisu) in a Plum Tree
入馆年号	2015年，2015.500.9.15
策展部门	亚洲艺术（Asian Art）
创作者	Sakai Hōitsu【1761 至 1828】【日本人】
创作年份	公元 1800 - 公元 1828
创作地区
分类	绘画（Paintings）
尺寸	图像: 38 5/8 × 14 1/8 英寸 (98.1 × 35.9 厘米) 整体 with mounting: 71 5/8 × 18 1/4 英寸 (181.9 × 46.4 厘米) 整体 with knobs: 71 5/8 × 20 1/2 英寸 (181.9 × 52.1 厘米)
介绍（中）	灌木莺在文学和视觉艺术中都象征着早春，在诗歌和绘画中经常与梅花搭配。在这里，一只轮廓分明的莺栖息在一棵开花的梅树上，梅树的树干和树枝在湿对湿的绘画技术中斑驳着绿色，称为tarashikomi，这是临巴学校的特征。作为播磨藩主的次子，弘一拥有富裕武士家庭的所有优势，包括有机会学习许多艺术作品并尝试不同的绘画风格。他成为林巴大师绪方光林（1658-1716）的崇拜者，并致力于复兴兴林的艺术。随后，他的画作以精致和优雅的方式反映了林巴风格，以及对Kōrin的美学债务。弘一还出版了恭林的画作和恭凛的兄弟剑山（1663-1743）的作品的木刻版画目录。
介绍（英）	The bush warbler, symbolic of early spring in both literature and the visual arts, was often paired with plum blossoms in poetry and painting. Here, a delicately delineated warbler perches on a blossoming plum tree, the trunk and branches of which are mottled with green in the wet-on-wet painting technique called tarashikomi, a characteristic of the Rinpa school. The second son of the lord of Harima province, Hōitsu had all the advantages of a wealthy samurai family, including the opportunity to study many works of art and experiment with different painting styles. He became an admirer of the Rinpa master Ogata Kōrin (1658–1716) and dedicated himself to the revival of Kōrin’s art. His paintings subsequently reflected the Rinpa style with sophistication and elegance, as well as an aesthetic debt to Kōrin. Hōitsu also published woodblock-printed catalogues of Kōrin’s paintings and the work of Kōrin’s brother, Kenzan (1663–1743).