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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)重复燧石手枪
品名(英)Repeating Flintlock Pistol
入馆年号2018年,2018.856.11
策展部门武器和盔甲Arms and Armor
创作者Michele Lorenzoni【1633 至 1733】【意大利人】
创作年份公元 1665 - 公元 1725
创作地区原产国: 意大利, 佛罗伦萨(Country of Origin: Italy, Florence)
分类火器手枪燧石(Firearms-Pistols-Flintlock)
尺寸长 19 15/16 英寸 (50.64 厘米); 长 of barrel 11 3/16 英寸 (28.42 厘米); Cal. .48 英寸 (12.2 毫米); 重 2 磅 14.3 盎司 (1311 g)
介绍(中)这把手枪是洛伦佐尼系统的罕见早期例子,洛伦佐尼系统是十七世纪第三季度为燧发枪开发的一种流行的后膛装填重复机构。除了质量、精美的装饰和早期的日期外,这把手枪的重要意义在于它是同名佛罗伦萨枪支制造商米歇尔·洛伦佐尼(Michele Lorenzoni)签署的为数不多的幸存例子之一,米歇尔·洛伦佐尼可能是以他的名字命名的系统发明者。

洛伦佐尼最初来自锡耶纳,他的整个职业生涯似乎都在佛罗伦萨度过,在那里他享受了美第奇宫廷的雇佣,与枪械制造商马泰奥·切基(Matteo Cecchi,称为Acquafresca,1651-1738)竞争。最早提到洛伦佐尼的作品是提到萨克森选帝侯约翰·格奥尔格三世(1647-1691)于1684年从他那里购买的连发枪。

博物馆的手枪在鼓前方的动作外壳右侧签名为"Lorenzoni",在黄铜后膛块上签名为"佛罗伦萨"。它有胡桃木枪托,一个钢制前端轮廓,仿佛由木头制成,下面有一个假钢推杆管和推杆,一个四级枪管和雕刻的钢支架。洛伦佐尼的枪支在装饰方法上具有国际化,就像他的竞争对手Acquafresca的枪支一样,经常显示出明显的法国影响迹象,其装饰来自巴黎图案书和受当代法国枪支启发的形式特征。这把手枪上的雕刻装饰与克劳德·西蒙宁(1635-1693 年)和小阿德里安·雷尼尔(约 1680-1743 年)和查尔斯·雷尼尔(约 1700-1752 年)(均称为 Le Hollandois)等人发表的设计有关,尤其是对称的螺旋状卷须、鼠尾草叶和点状图案,框住后视镜并遵循前端的模制轮廓。蛇头卷须、异国情调的鸟类和装饰锁和枪托的怪诞面具也让人想起法国图案。

洛伦佐尼系统代表了对丹麦枪械制造商彼得·卡尔特霍夫(卒于 1672 年)设计的相关重复机制的重大改进,并在 17 世纪第三季度被北欧的枪械制造商使用。Lorenzoni 系统内部复杂,允许多达 10 次连续射击,这些射击来自隐藏在握把内的离散粉末和球弹匣。为了装填武器,将手枪的枪口向下,左侧的钢柄旋转约一百八十度,以使粉末和球落入垂直设置的圆柱形黄铜后膛块中的两个腔室中。然后将手柄反向转动到其原始位置,使球和粉末与枪管对齐并形成临时后膛,同时打开锁中的阀门,将底漆粉末释放到锅中,盖上锅盖,然后将旋塞推回。

在十九世纪中叶左轮手枪机构完善之前,洛伦佐尼系统是制造实用多发枪支的最可靠技术,在发明后的一个多世纪里,整个欧洲大陆和英国的枪支制造商都在使用。它在十八世纪后期在英国进行了最后一次复兴,成为伦敦枪支制造商亨利·诺克(1741-1804)和哈维·沃克莱特·莫蒂默(1753-1819)的专长。大都会的藏品包括莫蒂默的两把洛伦佐尼手枪,其中一把是罕见的完整手枪,带有海军中将霍雷肖·纳尔逊(Horatio Nelson,1758-1805)的徽章(编号35.81.3a-f; 19.53.33)。

虽然今天的机制以洛伦佐尼的名字命名,并且传统上被认为是他的发明,但他是否构思了原始设计是学者们争论了几十年的问题。这项发明被归咎于博洛尼亚和罗马的意大利枪械制造商贾科莫·贝塞利(Giacomo Berselli)等。洛伦佐尼制造了配备该机构的长枪和手枪,分为三种变体子类型,每种子类型在火药弹匣的位置和附加故障安全系统的安装方面都有所不同。值得注意的是,在十八世纪中叶之前,很少有洛伦佐尼型手枪,而不是长枪,这增加了这种手枪的稀有性。

这把手枪是第一支进入博物馆收藏的十七世纪意大利洛伦佐尼型枪支,由罗伯特·李基金会于 2018 年赠送给大都会博物馆。它使博物馆能够首次展示这种开创性的早期连发枪支,并解释其在欧洲枪支设计和工程史上的深远重要性。此外,它还为大都会后来的英国机制实例奠定了基础,并为它提供了关键的背景。
介绍(英)This pistol is a rare, early example of the Lorenzoni system, a popular breech-loading repeating mechanism developed for flintlock guns in the third quarter of the seventeenth century. In addition to its quality, fine decoration, and early date, the pistol is significant for being one of the few surviving examples signed by the eponymous Florentine gunmaker Michele Lorenzoni, the probable inventor of the system that bears his name.

Originally from Siena, Lorenzoni appears to have spent his entire career in Florence where he enjoyed the employ of the Medici court, competing with the gunmaker Matteo Cecchi, called Acquafresca (1651–1738), for favor. The earliest reference to Lorenzoni’s work is the mention of a repeating gun purchased from him in 1684 by Elector Johann Georg III of Saxony (1647–1691).

The Museum’s pistol is signed "Lorenzoni" on the right side of the action housing ahead of the drum, and "Firenze" on the brass breech block. It has figured walnut buttstock, a steel fore-end contoured as if made of wood with a dummy steel ramrod tube and ramrod beneath it, a four-stage barrel, and engraved steel mounts. Cosmopolitan in their decorative approach, Lorenzoni’s guns, like his rival Acquafresca’s, often show clear signs of French influence, with decorations derived from Parisian pattern books and formal characteristics inspired by contemporary French firearms. The engraved decorations on this pistol relate to designs published by Claude Simonin (1635–1693), and Adrien Reynier the Younger (ca. 1680–1743) and Charles Reynier (ca. 1700–1752) (both called Le Hollandois), among others, particularly the symmetrical, spiraled tendrils, acanthus leaves, and dot motifs framing the rear sight and following the molded contours of the fore-end. The serpent-headed tendrils, exotic birds, and grotesque masks adorning the lock and butt also recall French patterns.

The Lorenzoni system represented a significant improvement upon a related repeating mechanism designed by the Danish gunmaker Peter Kalthoff (d. 1672) and employed by gunmakers in northern Europe in the third quarter of the seventeenth century. Complex internally, the Lorenzoni system allows for up to ten successive shots that feed from discrete powder and ball magazines concealed inside the grip. To load the weapon, the pistol is held muzzle down and the steel handle on the left side turned approximately one-hundred-eighty degrees to allow powder and ball to fall into two chambers in the vertically-set, cylindrical brass breech block. The handle is then turned in the reverse direction to its original position, bringing the ball and powder in line with the barrel and forming a temporary breech, simultaneously opening a valve in the lock to release priming powder into the pan, cover the pan, and thrust back the cock.

The most reliable technology for creating a practical multi-shot firearm before the perfection of revolver mechanisms in the mid-nineteenth century, the Lorenzoni system was utilized by gunmakers throughout continental Europe and Great Britain for more than a century after its invention. It enjoyed a final revival in Great Britain in the late eighteenth century, becoming a specialty of London gunmakers Henry Nock (1741–1804) and Harvey Walklate Mortimer (1753–1819). The Metropolitan’s collection includes two Lorenzoni pistols by Mortimer, one a rare cased complete example bearing the crests of Vice Admiral Horatio Nelson (1758–1805) (acc. nos. 35.81.3a–f; 19.53.33).

Though the mechanism today bears Lorenzoni’s name and he is traditionally credited with its invention, whether he conceived the original design is a matter that has been debated by scholars for decades. The invention has been alternatively ascribed to the Italian gunmaker Giacomo Berselli of Bologna and subsequently Rome, among others. Lorenzoni made both long guns and pistols equipped with the mechanism in three variant sub-types, each differing in the location of the powder magazine and in the installation of additional fail-safe systems. Notably, few Lorenzoni-type pistols, as opposed to long guns, were made before the mid-eighteenth century, adding to this pistol’s rarity.

This pistol, the first Italian seventeenth-century Lorenzoni-type firearm to enter the Museum’s collection, was given to The Met in 2018 by the Robert M. Lee Foundation. It enables the Museum to represent this seminal early repeating firearm for the first time and to explain its far-reaching importance in the history of European firearm design and engineering. In addition it anchors and provides critical context for The Met’s later British examples of the mechanism.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。