景观 - 美国大都会艺术博物馆展品查阅

品名（中）	景观
品名（英）	Landscape
入馆年号	2018年，2018.853.7
策展部门	亚洲艺术（Asian Art）
创作者	Sōami【1485 至 1525】【日本人】
创作年份	公元 1500 - 公元 1533
创作地区
分类	绘画（Paintings）
尺寸	图像: 13 3/8 × 18 3/16 英寸 (34 × 46.2 厘米) 整体 with mounting: 45 3/4 × 22 3/4 英寸 (116.2 × 57.8 厘米) 整体 with knobs: 45 3/4 × 24 13/16 英寸 (116.2 × 63 厘米)
介绍（中）	这幅自由创作的水墨山水画，以柔和、朦胧的笔触和淡淡的笔触渲染，营造出一种朦胧、潮湿的氛围，描绘了一个向水体倾斜的山坡和一个沿着小路向远处的一排树林走去的小人物。几棵柳树生长在水边的一个低矮的海角上。沿着长满青草的海岸线可以看到两艘船只，其中一艘正被一名孤独的船夫用木杆撑开 Sōami是十五世纪末至十六世纪初日本最重要的艺术家之一。三位有影响力的"阿米派"画家之一，另外两位是NōAmi（1397-1471）和Geami（1431-1485），他是阿势贺幕府的艺术鉴赏家和顾问，熟悉他们从中国进口的艺术品。他自己的绘画风格受到了与宋代中国禅僧画家木齐法昌（活跃于约1250–80年）有关的柔和、朦胧的笔触的启发，他的作品在中世纪的日本受到高度重视和广泛收藏。
介绍（英）	This freely-executed ink landscape painting, rendered in soft, washy brush strokes and light wash to produce a misty, moisture-laden atmosphere, depicts a hillside sloping towards a body of water and a small figure walking along a path in the direction of a distant stand of trees. Several willows grow near the water’s edge, on a low promontory. Two boats are visible along the grassy shoreline, one of which is being poled away from shore by a solitary boatman. Sōami was one of the most important artists of late fifteenth–early sixteenth century Japan. One of the three influential “Ami school” painters—the other two were Nōami (1397–1471) and Geiami (1431–1485)—he served as art connoisseur and consultant to the Ashikaga shoguns and was familiar with the works of art they imported from China. His own painting style was inspired by the soft, misty brush technique associated with the Song-dynasty Chinese Chan (Zen) monk-painter Muqi Fachang (active ca. 1250–80), whose works were highly prized and widely collected in medieval Japan.