雪景 - 美国大都会艺术博物馆展品查阅

品名（中）	雪景
品名（英）	Snowy Landscape
入馆年号	2018年，2018.853.9
策展部门	亚洲艺术（Asian Art）
创作者	Toki Tōbun【1502 至 1582】【日本人】
创作年份	公元 1540 - 公元 1560
创作地区
分类	绘画（Paintings）
尺寸	图像: 宽 18 1/2 英寸 (47 厘米) 整体 with mounting: 50 × 26 英寸 (127 × 66 厘米) 整体 with knobs: 50 × 27 15/16 英寸 (127 × 71 厘米)
介绍（中）	巨石和扭曲的松树的岩石景观主导了扇形画的曲面。远处高耸的山峰景观部分被金色的薄雾遮挡，在前景中，右边可以看到一个小农民小屋，左边是水面上的两个船夫。该构图代表了室町时代后期日本水墨画家中流行的风景图像类型，他们以十三世纪的中国南宋学院绘画和后来的明代中国学院派绘画为模型。艺术家的笔触的特点是紧张的锯齿状线条，但绘画元素的处理和放置——通常加重在构图的右侧——轮廓、墨点的使用以及图像的整体主题表明他学习过水墨画技巧，熟悉中国艺术家的水墨山水画，或者也许是它们的日本副本。人们对这位艺术家东文知之甚少，只知道他可能在足利幕府于 1570 年代初结束之际在全国各地广泛旅行。虽然被称为水墨画家，但他也以本土大和绘模式创作作品，此外还是诗人。
介绍（英）	A rocky landscape of boulders and twisting pines dominates the curved surface of the fan painting. A distant landscape of towering peaks is partially obscured by a mist of gold wash, and in the foreground a small peasant hut is visible on the right, two boatmen on the water on the left. The composition is representative of the type of landscape image popular among Japanese ink painters of the late Muromachi period, who took as models both Chinese Southern Song dynasty academy paintings of the thirteenth century and later Chinese academic paintings of the Ming dynasty. The artist’s brushwork is characterized by a nervous, jagged line, but the handling and placement of the pictorial elements—generally weighted on the right side of the composition—the use of outlines, ink dots, and the overall theme of the image indicate that he had studied ink painting technique and was familiar with ink landscape paintings by Chinese artists, or perhaps Japanese copies of them. Little is known about the artist Tōbun, except that he may have traveled extensively throughout the country around the time the Ashikaga shogunate came to a close, in the early 1570s. Although known as an ink painter, he also produced works in the native yamato-e mode, and was, in addition, a poet.