白鹭 - 美国大都会艺术博物馆展品查阅

品名（中）	白鹭
品名（英）	White Heron
入馆年号	2018年，2018.853.13
策展部门	亚洲艺术（Asian Art）
创作者	Tawaraya Sōtatsu【1570 至 1640】【日本人】
创作年份	公元 1600 - 公元 1633
创作地区
分类	绘画（Paintings）
尺寸	图像: 42 15/16 × 17 11/16 英寸 (109 × 44.9 厘米) 整体 with mounting: 79 1/8 × 22 13/16 英寸 (201 × 57.9 厘米) 整体 with knobs: 79 1/8 × 25 9/16 英寸 (201 × 64.9 厘米)
介绍（中）	在这幅描绘芦苇丛中一只孤独的白鹭的作品中，所看到的柔软和平静将成为Rinpa水墨画模式的标志，这些水墨画模式用于描绘动物或佛教和道教的圣贤，与十八世纪的Sōtatsu和他的继任者绪方Kō; rin以及十九世纪的酒井Hßitsu以花卉或树木为主题的色彩鲜艳的作品形成鲜明对比。这幅单色水墨画苍白而朦胧的轮廓一开始可能看起来是以一种相当随意的方式绘制的，但仔细观察就会发现艺术家对画笔的热情和专业控制 Sōtatsu在他的时代和随后的几代人中有许多追随者，他们创作了类似的水墨画，有时是基于Kō; rin在18世纪制作的复制品，但在这种情况下，笔触的确定性和签名和印章的确认（在一些作品中经常缺失）表明了其无可争辩的真实性。这幅作品来自日本最著名的收藏之一（曼诺家族收藏），是17世纪早期水墨画的真正瑰宝。
介绍（英）	The softness and calm seen in this rendering of a solitary white heron amid reeds would become a hallmark of Rinpa ink painting modes used to render animals or Buddhist and Daoist sages, in distinct contrast to the brightly colored compositions on floral or arboreal themes for which Sōtatsu and his successors Ogata Kōrin in the eighteenth century and Sakai Hōitsu in the nineteenth century became famous. The pale and seemingly hazy outlines of this monochrome ink painting may at first appear to have been brushed in a rather casual manner, but closer examination reveals the verve and expert control of the brush the artist had. Sōtatsu had many followers during his time and in subsequent generations who created similar ink paintings, sometimes based on copies that Kōrin made in the eighteenth century, but the sureness of brushwork and the confirmation of the signature and seal in this case (often missing in some works) signals its indisputable authenticity. The work comes from one of the most distinguished collections in Japan (the Manno family collection) and is a true treasure of early seventeenth-century ink painting.