中国美女 - 美国大都会艺术博物馆展品查阅

品名（中）	中国美女
品名（英）	Chinese Beauty
入馆年号	2018年，2018.853.30
策展部门	亚洲艺术（Asian Art）
创作者	Yokoi Kinkoku 横井金谷【1761 至 1832】【日本人】
创作年份	公元 1797
创作地区
分类	绘画（Paintings）
尺寸	图像: 44 1/16 × 14 1/16 英寸 (111.9 × 35.7 厘米) 整体 with mounting: 76 3/16 × 18 11/16 英寸 (193.5 × 47.5 厘米) 整体 with knobs: 76 3/16 × 20 7/8 英寸 (193.5 × 53 厘米)
介绍（中）	横井近古洋子是一位以中国风格的山水画而闻名的南迦派艺术家，但这幅相对早期的作品在艺术家的肖像主题语料库中是一个罕见的例子，其风格通常与南迦派运动无关。一位优雅的中国女士穿着五颜六色的长袍，肩上戴着绿色围巾，头发上戴着珠宝首饰，坐在长椅上，长椅上摆放着各种精致的生活用品——卷轴、香炉、杯子和洗手器。这幅图像的绘制精度和细节都很高，在某些方面与金库同时代的几位中国美女的其他画作相似，最著名的是丸山（1733-1795）和他的追随者，如根木（1747-1797）。这种形象的典型代表是苗条的身材和狭窄的斜肩、蓬松的头发和贵族服饰。在某些情况下，这些画是为了描绘中国历史或传说中的人物，但由于缺乏识别属性，很难说这位看起来脆弱的女士是为了描绘一个特定的中国古代美女，还是一个更普遍的形象 Yokoi Kinkoku属于南迦派运动的成熟阶段，受到伟大的Yosa Buson（1716–1783）的影响，尽管没有文献证据表明他曾直接与他一起学习。他的绘画往往以粗犷和动态的笔触为特征，在感觉上几乎是表现主义的，因此这一形象与他通常的风格形成了鲜明的对比。
介绍（英）	Yokoi Kinkoku was a Nanga artist famous for his Chinese-style landscapes, but this relatively early work is a rare example in the artist's corpus of a figural subject in a style not generally associated with the Nanga movement. An elegant Chinese lady in a colorful robe with a green scarf over her shoulders, a jeweled ornament in her hair, sits on a bench upon which various accoutrements for refined living—a rolled scroll, an incense burner, a cup, and a handwarmer—have been placed. This image was painted with delicate precision and detail, and in some respects resembles other paintings of Chinese beauties by several of Kinkoku's contemporaries, most notably Maruyama Ōkyo (1733–1795) and his followers such as Genki (1747–1797). Typical of such images are the very slender figure and narrow, sloping shoulders, the coiffed hair, and aristocratic garb. In some instances, these paintings were meant to depict figures from Chinese history or legend, but in the absence of identifying attributes, it is difficult to say whether this fragile-looking lady was intended as an image of a specific beauty from Chinese antiquity or a more generalized image. Yokoi Kinkoku belonged to the mature phase of the Nanga school movement and was influenced by the work of the great Yosa Buson (1716–1783), although there is no documentary evidence of his having studied directly with him. His paintings are often characterized by rough and dynamic brushwork, almost expressionistic in feeling, so this image presents a striking contrast to his usual style.