傅代石（497–569）的《偈》（沉思诗） - 美国大都会艺术博物馆展品查阅

品名（中）	傅代石（497–569）的《偈》（沉思诗）
品名（英）	A Gatha (Contemplative Verse) by Fu Daishi (497–569)
入馆年号	2018年，2018.853.19
策展部门	亚洲艺术（Asian Art）
创作者	Bankei Yōtaku (Eitaku)【1622 至 1693】【日本人】
创作年份	公元 1667 - 公元 1693
创作地区
分类	书法（Calligraphy）
尺寸	图像: 49 5/8 × 20 3/8 英寸 (126 × 51.8 厘米) 整体 with mounting: 84 1/4 × 21 11/16 英寸 (214 × 55.1 厘米) 整体 with knobs: 84 1/4 × 24 3/16 英寸 (214 × 61.4 厘米)
介绍（中）	三列动态的流动草书汉字拼出了十七世纪临济大师班溪洋拓的哲学，他以倡导一种以道教和禅宗为依据的哲学而闻名，他称之为"未出生"。这里的铭文概括了他的精神教义中固有的神秘面貌：物先天地无形本寂寥能爲萬象主不逐四時凋甚至在天地之前就存在，没有形，沉默，独自一人，其无边的力量控制着一切创造; 随着季节的展开，它保持不变。（译者：John T. Carpenter）傅大师，佛教大师傅或傅大师，尽管是一位居士（不是僧侣），但作为他那个时代的中国佛教大师之一赢得了尊敬，甚至被称为未来佛陀弥勒的化身。梁朝武帝是一位虔诚的佛教徒，也是他教义的狂热学生。傅大石还赢得了慈善家的赞誉，例如，他出资建造了双林素寺和附属的佛经库，以容纳所有佛经收藏。该存储库的独特之处在于它有一个带有八个面的旋转支架，用于存放经文，这种存储库在后来的几个世纪中变得很常见。因此，他的肖像经常显示他在这样的佛经宝库附近摆姿势;他也经常被描绘成一张笑脸，在日本被称为笑佛或warai-botoke。
介绍（英）	Three dynamic columns of flowing cursive Chinese characters spell out the philosophy of the seventeenth-century Rinzai master Bankei Yōtaku, who was renowned for advocating a philosophy—informed by Daoism and Zen Buddhism—of what he called the “Unborn.” The inscription here encapsulates the mystical outlook inherent in his spiritual teachings: 物先天地無形本寂寥能爲萬象主不逐四時凋 Existing even prior to heaven and earth without form, silent, alone by itself, Its boundless power controls all creation; It remains unchanged as the seasons unfold. (Trans. John T. Carpenter) Fu Daishi, the Buddhist Master Fu or Great Teacher Fu, even though a lay practitioner (not a monk) earned the respect as one the great Chinese Buddhist teachers of his times, and was even said to be an incarnation of the Buddha of the future, Maitreya. Emperor Wu of the Liang dynasty, a devout Buddhist, was also a fervent student of his teachings. Fu Daishi also earned acclaim as a philanthropist and, for instance, funded the construction of Shuang-lin-ssu Temple and an attached sutra repository on the premises to house the entire collection of Buddhist scriptures. The repository was distinctive in that it had a revolving stand with eight faces for storing the scriptures, a type of repository that became common in later centuries. Therefore, portraits of him often show him posed near such sutra repositories; he is often also depicted with a laughing face and known in Japan as a Laughing Buddha or warai-botoke.