新卷收藏的《百妖夜行》副本 - 美国大都会艺术博物馆展品查阅

品名（中）	新卷收藏的《百妖夜行》副本
品名（英）	Copy of Night Parade of One Hundred Demons from the Shinjuan Collection
入馆年号	2018年，2018.853.22
策展部门	亚洲艺术（Asian Art）
创作者	Mochizuki Gyokusen【1692 至 1755】【日本人】
创作年份	公元 1700 - 公元 1799
创作地区
分类	绘画（Paintings）
尺寸	图像: 12 3/8 英寸 × 11 ft. 7/8 英寸 (31.4 × 337.5 厘米) 整体 with mounting: 12 7/16 英寸 × 13 ft. 1 1/2 英寸 (31.6 × 400 厘米) 整体 with knobs: 13 3/4 英寸 × 13 ft. 1 1/2 英寸 (34.9 × 400 厘米)
介绍（中）	由家用器皿、工具和折叠扇、香圈和乐器等个人配件组成的恶魔游行在这个水平构图中从右到左移动。这些怪异但看起来很幽默的生物以各种形状和大小出现，有些呈现出相当怪诞的人类特征，而另一些则类似于佛教地狱画中的动物、鸟类或恶魔生物。水墨的段落暗示了夜间环境。在手卷结束时，恶魔们转身逃离了旭日升起的火光。该图像基于关于恶魔和妖精的古老传说，他们在夜间游行穿过街道甚至旧都（京都）的豪宅，直到黎明使他们回到超凡脱俗的领域。这些信仰与民间故事相结合，声称破旧的家用器皿可以变成恶魔，在夜间困扰人类。京都的考尔斯手卷艺术家望月玉泉来自一个武士家庭，至少跟随两位不同的老师学习——一位是土佐学校的画家，另一位是卡诺附属艺术家。据称，他创作了这幅作品，作为京都大德寺建筑群新胡安寺收藏的 16 世纪手卷版本主题的副本。
介绍（英）	A parade of demons—comprised of household utensils, tools, and personal accessories like folding fans, coils of incense, and musical instruments come to life— makes its way from right to left in this horizontal composition. The monstrous but humorous-looking creatures appear in all shapes and sizes, some taking on rather grotesque human features while others resemble animals, birds, or demonic creatures from Buddhist hell paintings. Passages of ink wash suggest the nighttime setting. At the conclusion of the handscroll, the demons turn and flee from the fiery light of the rising sun. The image is based on ancient legends about demons and goblins who parade by night through the streets and even the mansions of the old capital city (Kyoto), until the dawn causes them to return to their otherworldly realm. These beliefs combined with folktales claiming that worn out household utensils could be transformed into demons to plague mankind at night. Mochizuki Gyokusen, the Kyoto-based artist of the Cowles handscroll, came from a samurai family and studied with at least two different teachers—one a Tosa-school painter, the other a Kano-affiliated artist. He allegedly created this work as a copy of a sixteenth-century handscroll version of the theme in the collection of the Shinjuan temple of the Daitokuji temple complex in Kyoto.