岩石和竹子 - 美国大都会艺术博物馆展品查阅

品名（中）	岩石和竹子
品名（英）	Rock and Bamboo
入馆年号	2018年，2018.853.23
策展部门	亚洲艺术（Asian Art）
创作者	Yanagisawa Kien【1704 至 1758】【日本人】
创作年份	公元 1704 - 公元 1758
创作地区
分类	绘画（Paintings）
尺寸	图像: 44 5/16 × 21 1/4 英寸 (112.6 × 54 厘米) 整体 with mounting: 79 1/8 × 26 9/16 英寸 (201 × 67.5 厘米) 整体 with knobs: 79 1/8 × 28 11/16 英寸 (201 × 72.9 厘米)
介绍（中）	这种简单的构图是柳泽坚的作品，他创作了大量的竹子、花鸟和其他受早期南迦派艺术家欢迎的主题的绘画。竹子是画家们喜爱的主题，象征着学术美德和毅力。在这里，岩石的巨大（尽管其大小）构造，以及在处理竹叶时流畅、有节奏的笔触，以及墨水色调的变化，表明艺术家研究了17世纪末和18世纪传入日本的中国绘画手册中的图像 Yanagisawa Kien，他经常使用"听起来像中国人"的名字RýRikyō，在早期南迦派画家中发挥了重要作用。他鼓励了像Ike Taiga（1723–1776）这样有抱负的艺术家，他们将成为南迦派运动的伟大大师。他还是一个文人、书法家和诗人。
介绍（英）	This simple composition of a stand of bamboo bending over an angular, faceted rock is the work of Yanagisawa Kien, who created numerous paintings of bamboo, flowers-and-birds, and other subjects popular among artists of the early Nanga school. The bamboo was a favored motif among painters as a symbol of scholarly virtue and fortitude. Here, the monumental (in spite of its size) configuration of the rock, and the fluid, rhythmic handling of the brush in the treatment of the bamboo leaves, along with variations in the ink tones, suggest that the artist studied images from Chinese painting manuals introduced into Japan in the late seventeenth and eighteenth century. Yanagisawa Kien, who frequently used the “Chinese-sounding” name Ryū Rikyō, played an important role among early Nanga-school painters. He provided encouragement to aspiring artists like Ike Taiga (1723–1776), who would become a great master in the Nanga movement. He was also a man of letters, a calligrapher, and poet.