花瓶 - 美国大都会艺术博物馆展品查阅

品名（中）	花瓶
品名（英）	Vase
入馆年号	2019年，2019.44
策展部门	美国之翼（The American Wing）
创作者	Tiffany & Co.【1837 至现在】
创作年份	公元 1879 - 公元 1883
创作地区	制造于: 美国, 纽约, 纽约（Made in: United States, New York, New York）
分类
尺寸	11 1/2 × 6 3/8 英寸 (29.2 × 16.2 厘米)
介绍（中）	这个花瓶体现了蒂芙尼公司在 1870 年代和 1880 年代的作品中的创造力和创新。在爱德华·摩尔（Edward C. Moore，1827-1891）的指导下，蒂芙尼公司（Tiffany & Co.）的银器部门制作了一系列精美且高度原创的作品，这个花瓶是他们尝试新技术和亚洲风格设计的大胆例子。这个花瓶于 1879 年首次构思和创建，既有铜和银滴，如图所示，也有银和铜滴。花瓶的幸存图纸显示，红色表面上看似随机的斑点和分层的层叠滴水是精心策划的。图纸上的注释还规定，纯金将"由追逐者镶嵌"，而铜金和绿金装饰品将"由电池镶嵌"，这是蒂芙尼逐步参与创新电解工艺的证据。受到摩尔收集并提供给他的员工的亚洲陶瓷以及古代和伊斯兰世界的玻璃和陶瓷颜色的启发，蒂芙尼的工匠们孜孜不倦地工作以生产彩色表面。作为蒂芙尼现存的极少数红色表面处理作品之一，也是目前已知的唯一一件采用受摩尔收藏中日本艺术品启发的滴水装饰的重要物品（见波浪中的日本青铜花瓶，91.1.519），这个花瓶是该公司对亚洲艺术富有想象力和技术复杂的反应的罕见而重要的例证。
介绍（英）	This vase exemplifies the creativity and innovation that characterized Tiffany & Co.’s work during the 1870s and 1880s. Under the direction of Edward C. Moore (1827-1891), the silver division at Tiffany & Co. produced a diverse array of exquisitely wrought and highly original work, and this vase is a bold example of their experimentation with novel techniques and Asian-inspired designs. First conceived and created in 1879, this vase was produced both in copper with silver drips, as seen here, and in silver with copper drips. Surviving drawings for the vase reveal that the seemingly random splotches on the red surface and the layered, cascading drips were meticulously planned. Notes on the drawings also specify that the fine gold was to be "inlaid by chasers," while the copper and green gold ornament was to be "inlaid by battery," evidence of Tiffany’s progressive engagement with innovative electrolytic processes. Inspired by the colors in Asian ceramics as well as glass and ceramics from the ancient and Islamic worlds that Moore collected and made available to his staff, Tiffany’s craftsmen worked tirelessly to produce colored surfaces. As one of very few extant examples of Tiffany’s work with red surface treatments and the only significant object currently known that employs drip ornament inspired by Japanese works of art in Moore’s collection (see Japanese bronze vase amid waves, 91.1.519), this vase is a rare and important illustration of the firm’s imaginative and technically sophisticated responses to Asian art.