猎枪“多芬” - 美国大都会艺术博物馆展品查阅

品名（中）	猎枪“多芬”
品名（英）	Trompe de chasse "Dauphine"
入馆年号	2020年，2020.3
策展部门	乐器（Musical Instruments）
创作者	Cretien workshop, Paris (c.1690 – post 1737)【法国人】
创作年份	公元 1695 - 公元 1705
创作地区
分类	航空电话（Aerophone）
尺寸	Small bell (28.5厘米 diameter) and a large three and a half turns body (inside diameter 50.0厘米)
介绍（中）	这种优雅的狩猎号角被命名为"错视王妃"，因为它在未来的国王路易十五出生的那一年被采用为法国宫廷的官方狩猎号角。像这样的角是凡尔赛精心策划和著名的狩猎的核心。错视画Dauphine（16英尺D）的长管长度可以产生至少16个谐波系列的音符，这使猎人能够演奏一系列复杂的呼叫，以使狩猎队的成员了解现场发生的事件。在狩猎前后播放错视画也是为了娱乐听众。这些法国乐器的复杂设计和旋律能力促成了号角作为乐器的发展。由于狩猎作为财富和贵族地位的反映的重要性，程式化的角经常被用作装饰图案（见07.225.147，路易十五内部）这种大型黄铜狩猎号角以典型的圆形包裹，其主体管盘绕2 1/2次，并用两套折叠支架固定在铃铛和吹嘴接收器上。轶事来源表明，带有这些重复支架的角是为首席猎人保留的。钟有一个单一的楔形角撑板，表明其制造使用了两张单独的板材。钟形部分可见纵向抛光痕迹，揭示了这件作品是如何在心轴上加工的。钟的内部被漆成黑色（最近模仿乐器原始饰面的修复），就像典型的狩猎角一样，这样明亮的金属就不会在阳光下"刺眼"马匹和采石场。钟形花环上印有重复的鸢尾花图案、制造地和制造商名称：FAIT A PARIS PAR/CRETIEN ORDINAIRE DV ROI。
介绍（英）	This elegant form of the hunting horn was given the name “trompe Dauphine” because it was adopted as the official hunting horn of the French court the year the Dauphin, future King Louis XV, was born. Horns like this were central to the elaborate and famed hunt at Versailles. The long tube length of the trompe Dauphine (16 foot D) could produce at least 16 notes of the harmonic series, which enabled huntsmen to play a repertoire of intricate calls to keep members of the hunting party apprised of events unfolding in the field. The trompe was also played to entertain listeners before and after the hunt. The sophisticated design and melodic capabilities of these French instruments gave rise to the development of the horn as a musical instrument. Because of the importance of the hunt as a reflection of wealth and noble status, stylized horns were often employed as decorative motifs (see 07.225.147, Louis XV interior) This large brass hunting horn is wrapped in typical circular form with its body tubing coiled 2 ½ times and secured to the bell and mouthpiece receiver with double sets of folded braces. Anecdotal sources suggest that horns with these duplicate sets of braces were reserved for the lead huntsman. The bell has a single, wedge-shaped gusset, indicating that two separate sheets were used for its manufacture. Longitudinal burnishing marks are visible on the bell section, revealing how the piece was worked on a mandrel. The bell interior has been painted black (a recent restoration in imitation of the instrument’s original finish), as is typical with hunting horns so that the bright metal does not “dazzle” horses and quarry in the sun. The bell garland is stamped with a repeating pattern of fleurs-de-lis, place of manufacture, and the maker’s name: FAIT A PARIS PAR/CRETIEN ORDINAIRE DV ROI.