双线书法 - 美国大都会艺术博物馆展品查阅

品名（中）	双线书法
品名（英）	Two-Line Calligraphy
入馆年号	2019年，2019.420.33
策展部门	亚洲艺术（Asian Art）
创作者	Soejima Taneomi【1828 至 1905】【日本人】
创作年份	公元 1828 - 公元 1905
创作地区
分类	书法（Calligraphy）
尺寸	图像: 57 11/16 × 17 5/16 英寸 (146.6 × 44 厘米) 整体 with mounting: 92 1/2 × 24 7/16 英寸 (235 × 62 厘米)
介绍（中）	两列汉字，大胆地用深色墨水在缎面上书写，传达了作者的活力、目标感和充满活力的个性。奇怪的比例和一些人物的故意扭曲反映了艺术家偏离了长期确立的画笔书写规则。在某些情况下，笔触的顺序和方向偏离了规范，打破了对规则性和对称性的期望，赋予了人物全新的外观。这些形式的活力可能反映了书法家的性格，他是一位职业政治家，在明治时期曾在不同时期担任外交大臣、国务委员、宫内大臣顾问和内政大臣 Soejima Taneomi出生于一个武士家庭，受过良好的西学教育，但也对中国文学和文化有着广泛的了解。这一认识体现在这里题写的两行诗中，这表明了他用中文写诗的技巧，以及他作为一名书法家的自信。诗中写道：八朶青蓮馬前堆一杯滄海李中寒副島種臣马面对八朵青莲站在他面前<李在严寒中面对浩瀚的大海（翻译自大木贞子）
介绍（英）	Two columns of Chinese characters, boldly brushed in dark ink on satin, convey a sense of all the writer’s vigor, strength of purpose, and dynamic personality. The odd proportions, and intentional distortion of some of the characters reflect the artist’s departure from long-established rules of brush writing. In some instances the order and direction of brushstrokes depart from the norm, shattering the expectation of regularity and symmetry and giving the characters an entirely new appearance. The dynamism of these forms may reflect the character of the calligrapher, a career politician, who served at different times as foreign minister, councilor of state, advisor in the Imperial Household Ministry, and home minister during the Meiji period. Soejima Taneomi, born into a samurai family, was well educated in Western studies but also had a broad knowledge of Chinese literature and culture. This knowledge is reflected in the two lines of poetry inscribed here, which demonstrate his skill in composing verses in Chinese, and his confidence as a calligrapher. The poem reads: 八朶青蓮馬前堆一杯滄海李中寒副島種臣 Ma faced eight blue lotuses standing erect in front of him. Emperor Li faced a vast ocean in the midst of deep cold. (Translation adapted from Sadako Ohki)