教堂内部墙壁装饰方案立面图，其中有圣十字传奇场景 - 美国大都会艺术博物馆展品查阅

品名（中）	教堂内部墙壁装饰方案立面图，其中有圣十字传奇场景
品名（英）	Elevation for a Wall Decoration Scheme for a Church Interior with Scenes dedicated to the Legend of the Holy Cross
入馆年号	2019年，2019.457.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Anonymous, Central European, 18th century【1700 至 1800】【中欧人】
创作年份	公元 1710 - 公元 1730
创作地区
分类	图画（Drawings）
尺寸	长: 20 13/16 英寸 (52.8 厘米) 宽: 14 3/4 英寸 (37.5 厘米)
介绍（中）	这些图画描绘了宗教室内门口或入口门户周围的装饰立面。在中央门框的两侧放置了两尊代表基本美德的雕像。第二层装饰的特点是中央方形隔间，带有彩绘场景，以及两个带有椭圆形隔间的较小盾牌，带有额外的场景。带有彩绘场景的方形隔间和两个带有椭圆形隔间的较小盾牌，带有额外的场景。他们的主题以圣十字架的传说为中心，这些场景可能描绘了与它重新发现、复活并最终返回耶路撒冷的虚构故事相关的节日。在巴洛克和洛可可时期，这种图像的复兴是德国南部和匈牙利的典型特征，圣十字传说中的场景被纳入壁画和天花板装饰中。该结构由一个中央雕塑组加冕，该雕塑组由几个服务组成，携带着一个方丈举着圣十字架和一个月桂花环。两侧各有一个徽章，左边的徽章显示六个皇冠，每个皇冠都有一个新月，其中中间的一个朝右朝上，其他则倒置。右侧的徽章同样显示了沙漏和新月形式的六个图案，同样，中央沙漏被描绘成右侧朝上，而所有其他沙漏则以 90 度角描绘。这两个波峰的意义目前尚不清楚。
介绍（英）	The drawings depicts an elevation of the decoration surrounding a doorway or entrance portal in a religious interior. On either side of the central door frame are placed two statues representing the cardinal virtues. The second tier of decoration is marked by a central square compartment with a painted scene, and two smaller shields with oval compartments with additional scenes. square compartment with a painted scene and two smaller shields with oval compartments with additional scenes. Their subjects center around the Legend of the Holy Cross, and the scenes may depict the feastdays associated with the apocryphal story of its rediscovery, raising and eventual return to Jerusalem. A resurgence of this iconography is typical for Southern Germany and Hungary during the late Baroque and Rococo periods, and scenes from the Legend of the Holy Cross were incorporated in murals and ceiling decorations. The structure is crowned by a central sculpture group consisting of several serves, carrying an abbot holding up the Holy Cross and a laurel wreath. A coat of arms is placed on either side, the one on the left showing six crowns, each paired with a crescent moon, of which one in the center faces the right side up and the others are depicted upside down. The coat of arms on the right similarly shows six motifs in the form of an hour glass paired with a crescent moon, and, again, the central hour glass is depicted right side up, while all others are depicted at a 90 degree angle. The significance of these two crests is as of yet unknown.