带有裸体研究的颜料盒 - 美国大都会艺术博物馆展品查阅

品名（中）	带有裸体研究的颜料盒
品名（英）	Paint box with nude study
入馆年号	2019年，2019.442.1
策展部门	美国之翼（The American Wing）
创作者	Helena de Kay【1846 至 1916】
创作年份	公元 1866 - 公元 1876
创作地区
分类
尺寸	2 1/4 × 9 3/8 × 5 3/8 英寸 (5.7 × 23.8 × 13.7 厘米)
介绍（中）	海伦娜·德凯（Helena de Kay）更为人所知的是她在19世纪末纽约艺术界扮演的文化品味创造者的角色，而不是她的绘画。这位19世纪70年代在美国国家设计学院学习时艺术实践的罕见幸存者，揭示了当时对女性的培训。颜料盒中的裸体研究可以追溯到1871年左右，也就是学院首次向女性开放生活课程的那一年。她还私下师从温斯洛·霍默和约翰·拉法格，专门研究花卉意象。德凯（后来的吉尔德）是一位有魅力的人物，他通过许多贡献极大地丰富了19世纪末纽约的进步文化景观，包括在吉尔德夫妇位于联合广场附近的工作室的家中建立了著名的星期五沙龙；组织一个周六上午的素描俱乐部；并共同创立了艺术学生联盟和美国艺术家协会。她的领导地位对参与这些组织的大量妇女负有直接责任
介绍（英）	Helena de Kay is better known for her role as a cultural tastemaker in the late 19th-century New York art world than for her paintings. This rare survivor of her artistic practice as a student at the National Academy of Design, in the 1870s, reveals much about training for women at the time. The nude study in the paint box dates the work to around 1871, the year when life classes were first open to women at the Academy. She also studied privately with Winslow Homer and John La Farge, specializing in floral imagery. A magnetic personality, de Kay (later Gilder) greatly enriched the progressive cultural landscape of late-19th-century New York through many contributions, including establishing the famous Friday salons at the Gilders’ home near Union Square, The Studio; organizing a Saturday-morning sketch club; and co-founding both the Art Students League and the Society of American Artists. Her leading presence was directly responsible for the large number of women involved in those organizations